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Melanie Martinez
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Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Melanie Martinez that have reached the Top 50 of the Shazam Global Chart
OVERVIEW![Track artwork for track titled Play Date by Melanie Martinez]()
Melanie Martinez peaked at No. 11 on the Shazam Global Chart with "Play Date", spending 77 days in the Top 50.
1Top 50 Entries
77Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
Melanie Martinez
#1177Apr 26, 2020
"Play Date" by Melanie Martinez achieved a peak position of No. 11 on the Shazam Global Chart and remained in the Top 50 for 77 day(s).
Released
2015Total Shazams
5M
Days in Top 50
77The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 26, 2020"Play Date" by Melanie Martinez achieved a peak position of No. 11 on the Shazam Global Chart and remained in the Top 50 for 77 day(s).
Released
2015Total Shazams
5M
Days in Top 50
77The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 26, 2020Melanie Martinez's Popular Music Videos
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About Melanie Martinez
With her fresh, innovative takes on alternative pop, Melanie Martinez went from TV competition show sensation to a certified hitmaker and creative force to be reckoned with. Following her formidable 2012 showing as a contestant on The Voice, the New York-born Latin American singer prepared her 2015 debut Cry Baby. Exemplified by its irresistible charting singles such as “Dollhouse” and “Pity Party,” the character-driven outing dealt with relatable themes in colorful ways. On her subsequent albums K-12 and PORTALS, she broadened the subject matter and genre styles of her first full-length effort into a veritable trilogy, all the while building an immersive musical universe anchored by her shrewd songwriting skills. Her successes compounded over the course of these projects, culminating in a sizable 2024 global arena-headlining tour that presented the three records to an international audience in an inventively spectacular fashion. For her fourth album, 2026’s HADES, Martinez pivots away from the Cry Baby era to push her conceptual artistry to new places, exploring utopian and dystopian ideas via tracks like the metaphorically rich “POSSESSION.”
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