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Radiohead
Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Radiohead that have reached the Top 50 of the Shazam Global Chart
OVERVIEW![Track artwork for track titled The Daily Mail by Radiohead]()
![Track artwork for track titled Creep (Acoustic) by Radiohead]()
![Track artwork for track titled Creep by Radiohead]()
+1Radiohead has landed 4 songs in the Top 50 of the Shazam Global Chart, peaking at No. 13! Across those appearances, Radiohead has spent a combined 34 days on the chart.
4Top 50 Entries
34Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
Radiohead
#137Mar 29, 2020
"The Daily Mail" by Radiohead climbed to No. 13 on the Shazam Global Chart, spending 7 day(s) in the Top 50.
Released
2011Total Shazams
664K
Days in Top 50
7The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 29, 2020"The Daily Mail" by Radiohead climbed to No. 13 on the Shazam Global Chart, spending 7 day(s) in the Top 50.
Released
2011Total Shazams
664K
Days in Top 50
7The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 29, 2020
Radiohead
#1519May 8, 2023
"Creep (Acoustic)" by Radiohead peaked at No. 15 on the Shazam Global Chart, where the song spent a total of 19 day(s) in the Top 50.
Album
Creep - EPReleased
1992Total Shazams
2M
Days in Top 50
19The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
May 8, 2023"Creep (Acoustic)" by Radiohead peaked at No. 15 on the Shazam Global Chart, where the song spent a total of 19 day(s) in the Top 50.
Album
Creep - EPReleased
1992Total Shazams
2M
Days in Top 50
19The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
May 8, 2023
Radiohead
#386Nov 19, 2025
"Creep" by Radiohead peaked at No. 38 on the Shazam Global Chart, where the song spent a total of 6 day(s) in the Top 50.
Album
Pablo HoneyReleased
1992Total Shazams
14M
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Nov 19, 2025"Creep" by Radiohead peaked at No. 38 on the Shazam Global Chart, where the song spent a total of 6 day(s) in the Top 50.
Album
Pablo HoneyReleased
1992Total Shazams
14M
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Nov 19, 2025
Radiohead
#422Apr 21, 2025
"Everything In Its Right Place" by Radiohead achieved a peak position of No. 42 on the Shazam Global Chart and remained in the Top 50 for 2 day(s).
Album
Kid AReleased
2000Total Shazams
3M
Days in Top 50
2The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 21, 2025"Everything In Its Right Place" by Radiohead achieved a peak position of No. 42 on the Shazam Global Chart and remained in the Top 50 for 2 day(s).
Album
Kid AReleased
2000Total Shazams
3M
Days in Top 50
2The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 21, 2025Radiohead's Popular Music Videos
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About Radiohead
More than a band, Radiohead is a symbol—an avatar for the idea that rock music can be both genuinely popular and genuinely experimental at the same time. Capital-A art, scaled up for the arena. Though not necessarily the first to bridge that gap (Bowie did it; Pink Floyd and The Beatles, too), Radiohead might be the most uncompromising, yanking their listeners into soundworlds so anathema to pop (Krautrock, 20th-century classical, techno, and ambient) that their music almost felt like a dare—or, as one executive at Capitol Records put it during the lead-up to 2000’s Kid A, the job wasn’t to nudge Radiohead toward the center, but bring the center toward them.
Formed in 1985 in Oxfordshire, England, the band started playing together while still teenagers (their original name, On a Friday, denoted when they met for practice—a pretty literal move, given what they went on to). Influenced by British post-punk (Joy Division, The Smiths) and early American indie rock (R.E.M., Pixies), their initial sound was lumped in, fairly or otherwise, with grunge, a scene the band was lost in. Hard as it is to believe now, “Creep”—a signature not just for them, but also for ’90s guitar music in general—didn’t hit until nearly a year after its release, recasting the band as inheritors to the kind of alternative anthem championed by U2.
From there, they dug a rabbit hole and dove down, delivering a string of increasingly ambitious albums (starting with 1997’s OK Computer) that pushed the possibilities of a conventional rock-band setup to the brink while still retaining an audience—a balance owed in no small part to singer Thom Yorke, who made politicized alienation feel eerily familiar, almost cozy.
A few decades into their career, they continue to change, from the rhythmic meditations of 2011’s The King of Limbs to the strings-heavy, almost pastoral disquiet of 2016’s A Moon Shaped Pool. As experimental as the band has been when it comes to the actual business of music-making, they’ve been pretty unconventional with its presentation, too: Kid A, for example, was one of the first albums to be promoted through the internet (not to mention that it was delivered entirely without singles), while 2007’s In Rainbows was offered as a pay-what-you-want download—a first for a band of their stature. When OK Computer celebrated its 20th anniversary in 2017, Radiohead reached a status few do: A classic that was still finding ways to press into the unknown.
Musical InfluencesRadiohead's musical influences include Queen, Nirvana, Pink Floyd and more.
Influenced by RadioheadRadiohead has influenced the music of Coldplay, Zedd, Paramore and more.
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