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Top-10-Platzierungen in den globalen Charts von ShazamAlle Songs und Kollaborationen von Panic! At the Disco, die es in die Top 10 der globalen Charts von Shazam geschafft haben
SONG-INFO![Titel-Artwork für den Titel High Hopes von Panic! At the Disco]()
Panic! At the Disco erreichte mit „High Hopes“ Platz 2 der globalen Charts von Shazam und verbrachte 115 Tage in den Top 10.
1Top-10-Einträge
115Tage in den Top 10
SONG
SPITZENPOSITIONTAGE IN DEN TOP 10TOP-10-DEBÜT
Die höchste Platzierung, die ein Song in den globalen Charts von Shazam erreicht hat.
Die Gesamtzahl der Tage, an denen ein Song in den Top 10 der globalen Charts von Shazam war. Diese Tage waren möglicherweise nicht aufeinander folgend.
Das Datum, an dem ein Song zum ersten Mal in die Top 10 der globalen Charts von Shazam einstieg.
Panic! At the Disco
#21153. Nov. 2018
„High Hopes“ von Panic! At the Disco erreichte Platz 2 in den globalen Charts von Shazam, wo der Song insgesamt 115 Tag(e) in den Top 10 verbrachte.
Album
Pray for the WickedVeröffentlicht:
2018Gesamtzahl der Shazams
14 Mio.
Tage in den Top 10
115Die Gesamtzahl der Tage, an denen ein Song in den Top 10 der globalen Charts von Shazam war. Diese Tage waren möglicherweise nicht aufeinander folgend.
Top-10-Debüt
3. Nov. 2018„High Hopes“ von Panic! At the Disco erreichte Platz 2 in den globalen Charts von Shazam, wo der Song insgesamt 115 Tag(e) in den Top 10 verbrachte.
Album
Pray for the WickedVeröffentlicht:
2018Gesamtzahl der Shazams
14 Mio.
Tage in den Top 10
115Die Gesamtzahl der Tage, an denen ein Song in den Top 10 der globalen Charts von Shazam war. Diese Tage waren möglicherweise nicht aufeinander folgend.
Top-10-Debüt
3. Nov. 2018Beliebte Musikvideos von Panic! At the Disco
Über Panic! At the Disco
When Panic! At the Disco’s Brendon Urie joined the cast of the Broadway show Kinky Boots in 2017, it was like a prophecy fulfilled. After all, Panic! had always, on some level, been an excuse for Urie and his bandmates to dress up, to cultivate their inner thespian with as much flair as possible. Even in their early, post-emo days, the band’s music felt like an ornately tailored garment, every square inch fussed over with a care that verged on obsessive. By the maximalist pop of 2016’s Death of a Bachelor, Urie was invoking his passion for Frank Sinatra—with the caveat that one of his first impressions of the singer was the Sinatra-esque sword crooning “Witchcraft” in the animated movie Who Framed Roger Rabbit: A bright, shiny cartoon.
Formed by a group of childhood friends in 2004, the band was part of a wave of artists—including My Chemical Romance and Fall Out Boy, whose Pete Wentz was an early booster—who played what was effectively a pop-punk take on musical theater: dandyish and self-consciously overblown, but with a sense of uplift that made them manna for their fans. That Urie had grown up near the Vegas Strip watching stuff like Cirque du Soleil and Blue Man Group made sense; that the band’s live act eventually incorporated stilt walkers, contortionists, and ribbon dancers made more: Panic! was here to give you a show.
Over the years, the group’s sound moved closer to the polish and style of mainstream pop while retaining the kind of high-drama pith that made them fodder for yearbook quotes and Instagram captions the world over. A series of lineup changes—including the departure of original lyricist Ryan Ross and, later, primary songwriter Spencer Smith—effectively stripped Panic! down to a solo project. Urie honed his idiosyncrasies further on 2018’s Pray for the Wicked, joining his Rat Pack and swing-kid proclivities with hip-hop, R&B, and dance music.
Formed by a group of childhood friends in 2004, the band was part of a wave of artists—including My Chemical Romance and Fall Out Boy, whose Pete Wentz was an early booster—who played what was effectively a pop-punk take on musical theater: dandyish and self-consciously overblown, but with a sense of uplift that made them manna for their fans. That Urie had grown up near the Vegas Strip watching stuff like Cirque du Soleil and Blue Man Group made sense; that the band’s live act eventually incorporated stilt walkers, contortionists, and ribbon dancers made more: Panic! was here to give you a show.
Over the years, the group’s sound moved closer to the polish and style of mainstream pop while retaining the kind of high-drama pith that made them fodder for yearbook quotes and Instagram captions the world over. A series of lineup changes—including the departure of original lyricist Ryan Ross and, later, primary songwriter Spencer Smith—effectively stripped Panic! down to a solo project. Urie honed his idiosyncrasies further on 2018’s Pray for the Wicked, joining his Rat Pack and swing-kid proclivities with hip-hop, R&B, and dance music.
Musikalische EinflüsseZu den musikalischen Einflüssen von Panic! At the Disco gehören The Beatles, Queen, Frank Sinatra und andere.
Beeinflusst von Panic! At the DiscoPanic! At the Disco hat die Musik von Dua Lipa, Halsey, Lil Peep und anderen beeinflusst.
Ähnlich wie: Panic! At the Disco
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