Michael Martin Murphey will forever be linked to his huge 1975 breakout hit "Wildfire," a delicate, dreamy, cowboy ghost story that became an indelible part of the public consciousness. But there's always been more to Murphey's story—before that blockbuster, he had already turned out quirky country rockers like "Geronimo's Cadillac," a pointed criticism addressing the plight of Native Americans. And the same album that hosted "Wildfire" offered percolating collisions of pop and bluegrass, like the bouncy, banjo-driven "Carolina In the Pines."