ALBUMMozart in Milan: Sacred Music around the Exsultate, jubilateRobin Johannsen, Carlo Vistoli, Giulio Prandi & Coro e Orchestra Ghislieri
Robin Johannsen द्वारा एल्बम
ALBUMMozart in Milan: Sacred Music around the Exsultate, jubilateRobin Johannsen, Carlo Vistoli, Giulio Prandi & Coro e Orchestra Ghislieri
ALBUMBach: Mass in B Minor, BWV 232René Jacobs, Akademie für Alte Musik Berlin, RIAS Kammerchor, Robin Johannsen, Marie-Claude Chappuis, Helena Rasker, Sebastian Kohlhepp & Christian Immler
ALBUMBewitched - Enchanted Music by Geminiani & HändelLes Passions de l’Âme, Robin Johannsen & Meret Lüthi
ALBUMCaldara: In dolce amoreRobin Johannsen, Academia Montis Regalis & Alessandro De Marchi
ALBUMCavalli: Il GiasoneFilippo Adami, Angélique Noldus, Emilio Pons, Yaniv d'Or, Robin Johannsen, Josef Wagner, Federico Maria Sardelli, Christophe Dumaux, Andrew Ashwin, Katarina Bradic, Flanders Opera Chorus & Flanders Opera Symphony Orchestra
ALBUMWagner: SiegfriedStephen Gould, Gerhard Siegel, Linda Watson, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Bayreuth Festival Orchestra, Christa Mayer, Christian Thielemann & Robin Johannsen
ALBUMSandström: MessiahRobin Johannsen, Roxana Constantinescu, Timothy Fallon, Michael Nagy, Festivalensemble Stuttgart & Helmuth Rilling
Soprano Robin Johannsen moved to Europe early in her career and worked there with many of the top conductors who focus on Baroque opera. She is especially closely associated with René Jacobs and the Freiburger Barockorchester. Johannsen was invited by conductor Christian Thielemann to perform at the Bayreuth Festival, where she appeared in Wagner's Tannhäuser and then, for five seasons, in Siegfried. After making her debut on a 2006 recording of Leonard Bernstein's Candide, she was heard three years later on a complete cycle of Wagner's Ring operas conducted by Thielemann. Johannsen made her solo recording debut in 2014 with the recital Caldara: In dolce amore. In 2020, Johannsen was heard on a recording of Telemann's opera Miriways with the Akademie für Alte Musik Berlin. In 2022, she appeared on Jacobs' successful and unorthodox recording of Bach's Mass in B minor, BWV 232, with the Freiburger Barockorchester.