Célimène Daudet has a broad repertoire as a piano soloist, injecting stately calm into Bach fugues with as much expressivity and precision as she approaches 20th-century masters such as Messiaen and Debussy, whose preludes ooze with a heartfelt poignancy under her fingers. But Daudet’s range is not just across hundreds of years, but also thousands of miles: with both French and Haitian heritage, the Aix-en-Provence-born performer gives overlooked Haitian composers a spotlight too, imbuing their works with a sensitivity every bit as nuanced as the European classical canon.