Classical

Belgium

André D'Arkor

Lagu Teratas Berdasarkan André D'Arkor

Le roi d'Ys: Puisqu'on ne pas fléchir… Vainement, ma bien aimée (Récitatif et air de Mylio) [1932 Version]André D'Arkor, L’Orchestre Symphonique de la Monnaie & Maurice Bastin

Le Roi d'Ys - Acte III : Puisqu'on ne peut fléchir... Vainement ma bien aimée (Mylio)André D'Arkor, Orchestre Symphonique de l'Opéra National, Bruxelles & Maurice Bastin

Dengarkan Panis angelicus dari André D'Arkor, lihat lirik, video musik & lainnya!

Panis angelicusAndré D'Arkor

Sancta MariaAndré D'Arkor

Serenade de Don JuanAndré D'Arkor

Mignon: Elle ne croyait pasAndré D'Arkor

Mignon: Adieu Mignon, courageAndré D'Arkor

Manon: ReveAndré D'Arkor

Lakme: Ah! Yiens dans la foretAndré D'Arkor

Elixir D’Amour: Une furtive larmeAndré D'Arkor

Album lainnya dari André D'Arkor

ALBUMAndre D'Arkor: TenorAndré D'Arkor

Tentang André D'Arkor

Asal

Liege, Belgium

Kelahiran

February 23, 1901

Genre

Classical

André d'Arkor was one of the most influential musical figures in Belgium during the twentieth century, first as a singer and then as an administrator. As a singer, he was virile throughout his entire range, and yet capable of delivering the fine nuances and delicate head voice that mark the classic French-style tenor. While his career was focused on that repertoire, he also enjoyed successes in Mozart, the lighter Verdi roles, and Lehár, and performed more than 80 different roles. He first studied singing at the Liege Conservatory, and made his operatic debut as Gerald in Delibes' Lakmé in 1924. His French debut was in 1929 in Lyons, as Belmonte in Mozart's The Abduction from the Seraglio. In 1930, he joined the Théâtre de la Monnaie in Brussels, singing the title role of Gounod's Faust, and became the leading lyric tenor at that house, a remarkable accomplishment for such a young performer. He sang with that company until 1947. In 1931, he made his Paris debut at the Opéra-Comique as des Grieux in Massenet's Manon. Like most European singers, his career was interrupted by World War II, and he retired from the stage in 1945, returning to his native Liege to become the director of the Théâtre Royal, a position he held for 20 years.