Texas has given the world its fair share of estimable blues guitarists and Austin's Gary Clark, Jr. takes the blues into the 21st century with a soulful fuzztone that breaks through the hype. But it isn't just heavy guitar workouts that establish the man's credentials. The title track prefers a light touch, a comfortable mix of hip-hop rhythms and early 70s Philly Soul. That's Clark's modus operandi: do it all and do it right. "When My Train Pulls In" and "Bright Lights" blister like vintage Robin Trower and Stevie Ray Vaughan. "Travis County" embarks on a Stones-like romp that could've been found on Exile on Main St.. "The Life" tests out computer technology with a bright hip-hop groove and a tune that's pure pop and soul. "Glitter Ain't Gold" and "Numb" work the same blues-avenues as the Black Keys, while "Ain't Messin 'Round" kicks up a horn chart and a sense that someone's rewriting "Satisfaction" with great skill and enthusiasm while adding a gorgeous vocal hook to the chorus. There aren't many major label debuts this rich in pure talent and ambition.