Alternative
United States
HAIM
Ultima uscita
Top 50 della classifica globale di ShazamTutte le canzoni e le collaborazioni di HAIM che hanno raggiunto la Top 50 della classifica globale di Shazam
PANORAMICA![Copertina del brano intitolato Pray to God (feat. HAIM) di Calvin Harris]()
Calvin Harris ha raggiunto il suo massimo alla posizione n. 32 nella classifica globale di Shazam con "Pray to God (feat. HAIM)", trascorrendo 11 giorni nella Top 50.
1Canzoni della Top 10
11Giorni nella Top 50
CANZONE
POSIZIONE MASSIMAGIORNI NELLA TOP 50TOP 50 DEBUTTI
La posizione più alta raggiunta da una canzone nella classifica globale di Shazam.
Il numero totale di giorni in cui una canzone è rimasta nella Top 50 della classifica globale di Shazam. Questi giorni potrebbero essere non consecutivi.
La data in cui una canzone è entrata per la prima volta nella Top 50 della classifica globale di Shazam.
Calvin Harris
#321130 mar 2015
"Pray to God (feat. HAIM)" di Calvin Harris ha raggiunto il suo massimo alla posizione n. 32 nella classifica globale di Shazam, dove il brano ha trascorso 11 giorno/i nella Top 50.
Album
MotionData di uscita
2014Shazam totali
3 Mln
Giorni nella Top 50
11Il numero totale di giorni in cui una canzone è rimasta nella Top 50 della classifica globale di Shazam. Questi giorni potrebbero essere non consecutivi.
Top 50 debutti
30 mar 2015"Pray to God (feat. HAIM)" di Calvin Harris ha raggiunto il suo massimo alla posizione n. 32 nella classifica globale di Shazam, dove il brano ha trascorso 11 giorno/i nella Top 50.
Album
MotionData di uscita
2014Shazam totali
3 Mln
Giorni nella Top 50
11Il numero totale di giorni in cui una canzone è rimasta nella Top 50 della classifica globale di Shazam. Questi giorni potrebbero essere non consecutivi.
Top 50 debutti
30 mar 2015Video musicali popolari di HAIM
Chi è HAIM
Città natale
San Fernando Valley, CA, United States
Nato/a
2006
Genere
Alternative
HAIM has never approved of being “put in a box,” as the trio’s eldest sibling, Este Haim, told Apple Music in 2020. “We don’t care about genre or sticking to any sort of script,” middle sister Danielle confirmed. “We have the most fun when nothing is off limits.” The LA-born trio—completed by youngest sister Alana—officially formed in 2007 (prior to that, they performed across LA together as the covers band Rockenhaim, joined by their music-loving parents), but it wasn’t until 2012 that they saw their band as a viable career choice. That year brought the release of debut EP Forever, which showcased that box-evading sound: a meeting of the ’70s and ’80s music they grew up with alongside pop, R&B, and hip-hop. By 2013, HAIM had earned the top spot on the prestigious BBC Sound Of list and released a critically acclaimed debut album, Days Are Gone.
Its follow-up, 2017’s slick Something to Tell You, saw the sisters revisit the breezy pop and rock melodies of their debut and lace them with more emotional depth. If a sprawling global tour provided further proof of HAIM’s prowess (thanks to live shows taking the polished sound of their first two albums to raw new places), it was also a time during which Este, Danielle, and Alana were heading towards a collective downward spiral. Between them, they were dealing with depression, heartbreak, grief, and health issues (Este has type 1 diabetes).
With 2019’s Lou Reed-indebted “Summer Girl”—a show of support to Danielle’s partner and HAIM producer Ariel Rechtshaid as he battled cancer—the sisters began to process that rock bottom in public. Its follow-ups, “Now I’m in It” and “Hallelujah,” further hinted at the vulnerability to come on the band’s third record, 2020’s Women in Music Pt. III. “A big theme on this album is recognizing your sadness and expelling it with a lot of aggression,” Danielle told Apple Music upon its release. “It feels good to scream it in song form.” Meditations on the misogyny they have faced as female musicians only bolstered the power of the album, which was nominated for an Album of the Year Grammy in 2020. But despite those sometimes heavy subjects, Women in Music Pt. III is also HAIM at their most playful—and accomplished. “We wanted it to sound fun,” added Danielle. “Everything about the album was just spontaneous and about not taking ourselves too seriously.”
Its follow-up, 2017’s slick Something to Tell You, saw the sisters revisit the breezy pop and rock melodies of their debut and lace them with more emotional depth. If a sprawling global tour provided further proof of HAIM’s prowess (thanks to live shows taking the polished sound of their first two albums to raw new places), it was also a time during which Este, Danielle, and Alana were heading towards a collective downward spiral. Between them, they were dealing with depression, heartbreak, grief, and health issues (Este has type 1 diabetes).
With 2019’s Lou Reed-indebted “Summer Girl”—a show of support to Danielle’s partner and HAIM producer Ariel Rechtshaid as he battled cancer—the sisters began to process that rock bottom in public. Its follow-ups, “Now I’m in It” and “Hallelujah,” further hinted at the vulnerability to come on the band’s third record, 2020’s Women in Music Pt. III. “A big theme on this album is recognizing your sadness and expelling it with a lot of aggression,” Danielle told Apple Music upon its release. “It feels good to scream it in song form.” Meditations on the misogyny they have faced as female musicians only bolstered the power of the album, which was nominated for an Album of the Year Grammy in 2020. But despite those sometimes heavy subjects, Women in Music Pt. III is also HAIM at their most playful—and accomplished. “We wanted it to sound fun,” added Danielle. “Everything about the album was just spontaneous and about not taking ourselves too seriously.”
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