Classical
Germany
Johann Pachelbel
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Johann Pachelbelの他のアルバム
Johann Pachelbelについて
出身地
Nuremberg, Germany
誕生日
1653
ジャンル
Classical
Just as Ravel regretted composing his popular Boléro (1928), so too did Pachelbel’s Canon (1680) overshadow his breadth as a composer. He is now recognised as a remarkably prolific and progressive writer of church and chamber music, who was widely sought after as an organist and teacher. Born in 1653, he worked in Vienna, Erfurt (where he had close contact with the Bach family), before finally returning to his home city, Nuremberg, where he died in 1706. His vast output of keyboard music for organ and harpsichord includes most forms of the day, from organ chorales for liturgical use to suites and sets of variations. His six suites for two violins and continuo (Musicalische Ergötzung, 1695) are a colourful mix of French, Italian and German styles. His large-scale sacred vocal music has a much wider range of dramatic expression: the text of Lobet den Herrn mentions many musical instruments—including five trumpets, recorders and harp—all employed by Pachelbel.
Johann Pachelbelから影響を受けましたJohann PachelbelはDomenico Walter Renzetti、 The Hexa Tune、 liquorpoolやその他の音楽に影響を与えてきました。
Johann Pachelbelに似た曲やアーティスト
Johann Pachelbelに似た他の音楽やアーティスト（たとえばShawn Choi、 Márton Borsányi、 Pachelbel Orchestraなど）をもっと見つけましょう。
