Jazz
United States
Don Sebesky
Don Sebeskyのトップソング
John Pizzarelli, Don Sebesky, Martin Pizzarelli, Tony Tedesco, Sammy Figueroa, Ray H. Kennedy, Martin Agee, Sanford W. Allen, Avril Brown, Rick S. Dolan, Max Ellen, Barry Finclair, Evan Johnson, Karen Karlsrud, Katherine Naomi Katz, Elizabeth Lim-Dutton, Lisa Matricardi, Laura S. Oatts, Joel Pitchon, Andrea Ingrid Schultz, Laura J. Seaton, Richard Sortomme, Belinda Whitney-Barratt, Xin M. Zhao, Alfred V. Brown, Kenneth Burward-Hoy, Juliet Haffner, Maxine L. Roach, Mitsue Takayama, Liuh-Wen Ting, Leslie J. Tomkins, Stephanie L. Cummins, Adam Grabois, Chungsun Kim, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell, Joseph Bongiorno, John Miller, Douglas W. Romoff, Stacey G. Shames & Ray Kennedy
John Pizzarelli, Don Sebesky, Martin Pizzarelli, Tony Tedesco, Sammy Figueroa, Ray H. Kennedy, Harry Allen, Martin Agee, Sanford W. Allen, Avril Brown, Rick S. Dolan, Max Ellen, Barry Finclair, Evan Johnson, Karen Karlsrud, Katherine Naomi Katz, Elizabeth Lim-Dutton, Lisa Matricardi, Laura S. Oatts, Joel Pitchon, Andrea Ingrid Schultz, Laura J. Seaton, Richard Sortomme, Belinda Whitney-Barratt, Xin M. Zhao, Alfred V. Brown, Kenneth Burward-Hoy, Juliet Haffner, Maxine L. Roach, Mitsue Takayama, Liuh-Wen Ting, Leslie J. Tomkins, Stephanie L. Cummins, Adam Grabois, Chungsun Kim, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell, Joseph Bongiorno, John Miller, Douglas W. Romoff & Stacey G. Shames
Don Sebeskyの他のアルバム
Don Sebeskyについて
Don Sebesky was best known as house arranger for many of producer Creed Taylor's Verve, A&M, and CTI productions; he was the man whose orchestral backgrounds helped make artists like Wes Montgomery, Paul Desmond, Freddie Hubbard, and George Benson acceptable to audiences outside of jazz. He took some critical heat for this, but Sebesky's arrangements were usually among the classiest in his field, reflecting a solid knowledge of the orchestra and drawing variously from big-band jazz, rock, ethnic music, classical music of all eras, and even the avant-garde for ideas. He once cited Bartok as his favorite composer, but one also hears a lot of Stravinsky in his work.
Sebesky started out professionally as a trombonist while still at the Manhattan School of Music, working with Kai Winding, Claude Thornhill, the Tommy Dorsey Band led by Warren Covington, Maynard Ferguson, and Stan Kenton. In 1960, he gave up the trombone to concentrate on arranging and conducting, eventually receiving the breakthrough assignment of Montgomery's Bumpin' album (1965). Some of the most attractive examples of his work for jazz headliners include Bumpin', Benson's The Shape of Things to Come, Desmond's From the Hot Afternoon, and Hubbard's First Light. He began to step out into the spotlight with the release of his all-star Giant Box, which was followed by sporadic further releases on CTI and GNP/Crescendo. He also wrote classical works and a book, The Contemporary Arranger (Port Washington, New York, 1975), as well as orchestrating scores for film, television, and Broadway. Don Sebesky died on April 29, 2023, at age 85. ~ Richard S. Ginell
Don Sebeskyに似た曲やアーティスト
Don Sebeskyに似た他の音楽やアーティスト（たとえばDick Lieb、 Torrie Zito、 Bob Downesなど）をもっと見つけましょう。
