Classical
Netherlands
Ton Koopman
Ton Koopmanのトップソング
Ton Koopmanによる今後開催のコンサート
Ton Koopmanは現在3 upcoming concerts件のコンサートを開催中です。次回は2025年10月18日土曜日にオランダのNorth Holland、AmsterdamのMuziekgebouw aan 't IJで開催される予定です。
Ton Koopmanの他のアルバム
Ton Koopmanについて
出身地
Netherlands
誕生日
1944
ジャンル
Classical
Noted for his flamboyant ornamentation, fondness for lively tempi, and cultivation of well-aerated musical textures, Ton Koopman is an instantly recognizable voice among followers of historically informed performance practice. Born in Zwolle in 1944, he numbered the influential harpsichordist Gustav Leonhardt among his teachers, and in his mid-twenties founded the Amsterdam Baroque Orchestra to complement a career as prize-winning organist and harpsichordist.
In 1992 he enlarged the orchestra’s scope by forming a choir and, although he once regarded Mozart’s Requiem (1791) as the furthest he wished to stray from the Baroque, as a conductor he has been lured towards Mendelsohn, Weber, and even Schumann. J.S. Bach, however, remains at the center of his musical universe. As something of a completist, he found that after recording all Bach’s surviving sacred and secular cantatas, not to mention the large-scale choral works, he turned to the Opera Omnia of Buxtehude, a project surveying the complete works of Bach’s great predecessor across 30 discs.
Although principally associated with period instruments, Koopman is never a musician to play it safe, increasingly finding himself in front of such orchestras as the Berlin Philharmonic and the Chicago and Boston Symphony Orchestras and, closest to home, the Amsterdam Concertgebouw.
In 1992 he enlarged the orchestra’s scope by forming a choir and, although he once regarded Mozart’s Requiem (1791) as the furthest he wished to stray from the Baroque, as a conductor he has been lured towards Mendelsohn, Weber, and even Schumann. J.S. Bach, however, remains at the center of his musical universe. As something of a completist, he found that after recording all Bach’s surviving sacred and secular cantatas, not to mention the large-scale choral works, he turned to the Opera Omnia of Buxtehude, a project surveying the complete works of Bach’s great predecessor across 30 discs.
Although principally associated with period instruments, Koopman is never a musician to play it safe, increasingly finding himself in front of such orchestras as the Berlin Philharmonic and the Chicago and Boston Symphony Orchestras and, closest to home, the Amsterdam Concertgebouw.
Ton Koopmanは、Amsterdam Baroque Orchestraのメンバーとしても楽曲をリリースしています。
Ton Koopmanに似た曲やアーティスト
Ton Koopmanに似た他の音楽やアーティスト（たとえばAmsterdam Baroque Choir、 Collegium Vocale Gent、 Amsterdam Baroque Orchestraなど）をもっと見つけましょう。
