Classical
Italy
Carmela Remigio
ツアー中
Carmela Remigioのトップソング
Carmela Remigio, Mark Padmore, Peter Mattei, Solistes De l'Académie Européenne De Musique D'Aix-en-Provence, Solistes de l'Académie eurporéenne de musique d'Aix-en-Provence, Sissy Schmidhuber (2.Cd, [4]), Jory Vinikour, Peter Brook, Till Fechner, Antonella Manacorda (3.Cd, [5]), Véronique Gens, Daniel Harding, Lisa Larsson & Mahler Chamber Orchestra
Carmela Remigioによる今後開催のコンサート
Carmela Remigioは現在4 upcoming concerts件のコンサートを開催中です。次回は2025年10月5日日曜日にイタリアのSicily、PalermoのTeatro Massimoで開催される予定です。
Carmela Remigioの他のアルバム
Carmela Remigioについて
出身地
Pescara, Italy
誕生日
1973
ジャンル
Classical
Soprano Carmela Remigio has been a fixture of the operatic scene in Italy since the early 1990s, and she has also performed abroad. Remigio's career is notable in that it began early for a singer; by her late teens she was singing major roles and winning important prizes.
Remigio was born in Pescara, Italy, in 1973. She studied the violin as a child but switched to voice after taking lessons with veteran baritone Aldo Protti at the local Accademia Musicale Pescarese. She went on to study with pianist and conductor Leone Magiera. By 1992, Remigio was already gaining important recognition for her talents: she won the Luciano Pavarotti International Voice Competition in Philadelphia that year, and in 1993 she made her operatic debut in a world premiere (unusual for a 20-year-old singer), Giampaolo Testoni's Alice, at the Teatro Massimo of Palermo. However, for the first part of her career she was associated with Mozart roles, performing them around Italy. Remigio caught the attention of major figures in the operatic world. She performed under conductor Claudio Abbado at the Aix-en-Provence Festival in France, in productions staged by director Peter Brook. She continued to work with Abbado in new productions of Verdi's Falstaff (as Mrs. Ford) and Otello (in the lead role of Desdemona). In the 2010s, Remigio's repertory expanded into bel canto opera and back into the Baroque as far as Monteverdi's L'incoronazione di Poppea. She appeared in virtually all of the top Italian opera houses, including La Scala, but remains better known in Italy than elsewhere.
Remigio has appeared on several recordings, and the year 2019 saw her featured on a pair of releases on the Dynamic label, both featuring operatic rarities: the Neapolitan pastiche version of Handel's Rinaldo with music added by Leonardo Leo, and Donizetti's Il castello di Kenilworth (1829). ~ James Manheim
Carmela Remigioに似た曲やアーティスト
Carmela Remigioに似た他の音楽やアーティスト(たとえばXabier Anduaga、 Simon Keenlyside、 Donizetti Opera Choirなど)をもっと見つけましょう。