ALBUMBeethoven: Missa Solemnis, Op. 123Jordi Savall & Le Concert des Nations
Le Concert des Nationsの他のアルバム
ALBUMBeethoven: Missa Solemnis, Op. 123Jordi Savall & Le Concert des Nations
ALBUMMendelssohn: Italian SymphonyJordi Savall & Le Concert des Nations
ALBUMMonteverdi: L'OrfeoLa Capella Reial De Catalunya, Sara Mingardo, Le Concert des Nations, Jordi Savall, Marc Mauillon & Luciana Mancini
ALBUMW. A. Mozart: Requiem in D Minor, K. 626Jordi Savall, Le Concert des Nations & La Capella Nacional de Catalunya
ALBUMSchubert: Symphonies Nos. 8 & 9Jordi Savall & Le Concert des Nations
ALBUMGluck: Don Juan - SemiramisJordi Savall & Le Concert des Nations
ALBUMBeethoven: Symphonies 6-9Jordi Savall & Le Concert des Nations
ALBUMJ. S. Bach: Weihnachts-Oratorium, BWV 248Jordi Savall & Le Concert des Nations
ALBUMMarin Marais; AlcioneJordi Savall, Le Concert des Nations & La Capella Reial de Catamunya
ALBUMBeethoven: Révolution, Symphonies 1 à 5Jordi Savall & Le Concert des Nations
アーティストの略歴
The newest of the groups formed by viola da gamba player Jordi Savall, Le Concert des Nations has become an influential force in the historically informed performance of Renaissance and Baroque instrumental music. The group has performed by itself, under Savall's direction, and has also accompanied his instrumental-vocal group La Capella Reial de Catalunya.
Savall formed Le Concert des Nations in 1989; the name was suggested by that of a group of trio sonatas by François Couperin (1726) that itself evoked the cosmopolitan and international nature of Parisian music of the day. At the time, the group was unusual in the realm of historically oriented instrumental music; few such groups had been established on the Iberian peninsula. Unlike other Savall groups, Le Concert des Nations has explored the music of the 18th and even the 19th centuries, having recorded Beethoven's Symphony No. 3 in E flat major, Op. 55 ("Eroica"), for the Naïve label in 1997. Although the group has performed and recorded the likes of Handel's Water Music, much of its output has been concerned with lost or neglected music of the 17th and 18th centuries.
Quite early on, in 1995, Le Concert des Nations recorded the complete orchestral works of composer Juan Crisóstomo de Arriaga, and a 1998 recording featured orchestral suites by the still-unfamiliar composer Guillaume Dumanoir. In 2000, the group joined La Capella Reial de Catalunya for a recording of Biber's substantial Missa Bruxellensis. The group's recording schedule in the 2000s has been busy and has also included perennial favorites; they recorded Handel's Messiah, HWV 56, in 2019. The recordings of Le Concert des Nations have appeared on Savall's Alia Vox label. ~ James Manheim