This French singer's nicotine-stained noir rock lends itself to all sorts of striking and sensuous visual interpretations. For the stormy symphonic ballad “La superbe,” Biolay and a mysterious woman communicate through an intense ballet in a gritty empty warehouse, while “Les roses et les promesses” is a beautiful single-shot mini-film that sees the singer serenading a nude paramour curled up in his hotel-room bed.