メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM76
クレジット
PERFORMING ARTISTS
T.I.
Vocals
COMPOSITION & LYRICS
Justin Smith
Songwriter
T.I.
Songwriter
PRODUCTION & ENGINEERING
Just Blaze
Producer
歌詞
And the prophecy read that one day
Like the phoenix rose from the ashes
That a boy will be born unto a family in the slums
This boy will go on to use the knowledge he gained
While fighting for survival in these streets
To become a great leader
And in time, that boy will grow to become King
Time to ride **** (Just Blaze)
I welcome you and get acquainted with the youngest in charge
Respected from East to West like he was runnin' the mob
Dictatin', ain't takin' orders from no one but God
I know you **** is broke cause I know what you charge
Them **** wishin' for a Phantom it's one in my garage
It's black as legary right next to the black Ferrari
You **** ain't gettin' money off of rappin' I'm sorry
Fuck the rep went and spent sixty large on a Harley
Cause where he stay 10,012 feet not hardly
Now you see that we ain't able to compete, now are we?
And pardon me I'm givin' you the Westside story
Of the A, where I stay, **** stay down for me
Wanna play, have you gay **** lay down for me
And get a order for killers to spray rounds for me
Competition, you ain't considered, you rappin', you bore me
You reppin the A horribly, must I say, more importantly
The king back (Hey, hey, hey, hey, hey)
**** the king back (Yeah, yeah, a-yeah, yeah)
You better lean back (Hey, hey, hey what's that?)
**** the king back (Alright, tell 'em **** what)
The king back (Yeah, yeah, yeah, hey)
**** the king back (Hey, hey, hey, oh)
Shawty you seen that? (What happened, my ****?)
**** the king back (Alright, let's tell these ****, hey)
Hey man y'all **** got me way too fucked up, you understand that?
What you need to do is homeboy
You need to go back and grab I'm Serious you know
You need to get familiar with Dope Boyz and see where
All these **** got they style
See where that trap shit came from
Then you need to graduate to my motherfuckin' In Da Streets Vol.1-3
Then you need to go to Trap Muzik, I got locked up for a second
Then grab Urban Legend and now to bring you up to speed
Who knew you could fit on your wrist a whole pound of diamonds
I'm number one on the list while you clowns are climbin'
Wishin' to be in positions that you found that I'm in
Since you **** do what it say I'm world renowned than sign me
If Jay handled the clay and around the time
I delivered a bad day when four-fives is firin'
I care the least about police and the fireman siren
Ambulance ain't gon' stand a chance in revivin'
DOA the meanin' bein' deceased upon my arrivin'
Paramedics yell clear and your flat line silent
You ain't ready for out here cause the lifestyle violent
You think you is, you must be livin' on Fantasy Island
Make us mad, get your ass wiped out like Thailand
Hit my phone and got what left and drained the three while you followin'
You say you want to release and go to war with the finest
Need you be reminded, want it with Your Highness?
The king back (Hey, hey, hey, hey, hey)
**** the king back (Yeah, yeah, a-yeah, yeah)
You better lean back (Hey, hey, hey what's that?)
**** the king back (Alright, tell 'em **** what)
The king back (Yeah, yeah, yeah, hey)
**** the king back (Hey, hey, hey, oh)
Shawty you seen that? (What happened, my ****?)
**** the king back (Alright, let's tell these ****, hey)
Hey man I know y'all **** still in the trap everyday
Still man I know y'all **** don't see nothin' but the projects, nothin' but grits
But listen, make no motherfuckin' mistake man
I still will shoot up my motherfuckin' self
AK and four-five **** on side ****
And come see 'bout **** you understand
But I don't want to do that cause I respect that shit y'all doin'
I started that shit, I made that shit cool
I made these **** want to be you ****
**** respect this shit
Written by: C. Harris, J. Smith, Ray Davies

