メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器（ピアノ、ギター、バイオリン、ドラム、サックスなど）に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM92
歌詞
If we can't get it now, get it on our back end
Holy Ghost need a mole, get the heaven cash in
If we can't get it now, get it on our back end
Holy Ghost need a mole, get the heaven cash in
If we can't get it now, get it on our back end
Holy Ghost need a mole, get the heaven cash in
If we can't get it now
Uh, yeah
First class, bust down, down super bad
Jet lag, can't sleep, eyes holding bags
How I'm doing? You don't care, why you even ask?
Whole dollar to my name, but you don't know the half
People add they two cents when they credit bad
Drive slow and still crash out, brakes don't get a pad
People out here talking 'bout business
That they ain't supposed to mind
Some of y'all should have to show some ID 'fore you post online
My prototype, power school, cardboard cutout
Of a woman came and told me that her love don't run out
Paid a therapist to listen so my hope can hold out
Can't no devil get a chipping 'cause my soul ain't sold out
God is my witness, thought I would
Hit six feet, but I'm still on my feet
Five-ten, took 'bout fifteen months to get back in my seat
Ain't believe in me, but I got Elohim at the wheel
Wood grain gripping, I'ma see you when I see you
I ain't tryna roll the dice with Hell, and you shouldn't either
In my Heath Ledger season, I done seen the darkest nights
Every day's another reason, gratitude don't got a price
Maximize this life you have now 'cause you can't do it twice
Shine the light, shine the light
Yeah, we gotta shine the light, uh
Great minds think alike, but we worry not
Flick the wick as we shine the light
Shine the light
Yeah, we gotta shine
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Big fella, two milli, room full of elephants
Homebody, belly out, now I'm in my element
When I started rapping, it was really for the hell of it
Rhyming now, heaven is the only thing relevant
You ain't getting fed if you only want a piece of pie
Money is supposed to get you full, not empty inside
First Timothy 6:10, poof, pow, surprise
Live long enough and you become the thing that you despise
Uh, it ain't no success in half-read books
He scared of death, when he paid the debt, get cooked
The twists and turns of life, the rights and lefts
I've been shaken up before, but never shook
The man in the mirror getting older now
Thirty years plus, bruh, you grown, not a golden child
Life moving circles and it's coming full circle now
Waiting for the perfect time, nah, the wait is over now
Uh
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Catch me on the downslide
I'll be heading up in the wild, chilling lowkey
Uh, it all falls down, boys going through the wire
Hearts turn cold when they going through the fire
Keep a man honest, catch him while he crying
Been the truth enough is how you turn into a liar
Seen both sides, so these days, I am not bothered
Words from a wise young man from the rock bottom
Used to play balloon games, the ground was the hot lava
You and I are just alike, great minds think alike
Everything that's dead to me is everything that God is not
We all make mistakes, imagine God looking over mine
Death had my name, God wrote His over mine
So everything I do is H-town, yeah, that's oversized
Backpack missionary, boom-bap instrumentals
Getting all the stationary, now we finna mobilize
Became a married man instead of boyfriend on the side
Timeless messaging, His name immortalized
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Yes, I know
Hey, AJ, this is Brandy just calling to wish you a
Happy birthday. I hope you're having a good one
Call me when you can. Happy birthday to you. Bye-bye
Written by: Andre Jamal Brown, Marques Caos, Timothy Keith Waller
