์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!

ํด๋ž˜์‹

France

์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด

์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด์˜ ์ƒ์œ„ ๊ณก

์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Kanon Orchestre de Chambre์˜ Canon In D์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Canon In D์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Kanon Orchestre de Chambre
Gรฉrard Jarry, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด, ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ & ํ”ผ์—๋ฅด ์•„๋ชจ์–„์˜ Concerto for 2 Violins in D Minor, BWV1043: II. Largo ma non tanto์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Concerto for 2 Violins in D Minor, BWV1043: II. Largo ma non tantoGรฉrard Jarry, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด, ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ & ํ”ผ์—๋ฅด ์•„๋ชจ์–„
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto (Arr. Paillard)์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto (Arr. Paillard)์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ Canon & Gigue in D Major์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Canon & Gigue in D Major์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ Petite suite, CD 71, L. 65: I. En bateau (Orch. Bรผsser)์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Petite suite, CD 71, L. 65: I. En bateau (Orch. Bรผsser)์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ
Ensemble instrumental Jean-Marie Leclair, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Jacques Lancelot์˜ Clarinet Concerto in A Major, K. 622: II. Adagio์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Clarinet Concerto in A Major, K. 622: II. AdagioEnsemble instrumental Jean-Marie Leclair, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Jacques Lancelot
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Orchestre Jean-Franรงois Paillard์˜ Adagio in G์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Adagio in G์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Orchestre Jean-Franรงois Paillard
Ensemble Vocal 'A coeur Joie' de Valence, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Orchestre Jean-Franรงois Paillard์˜ Les Indes Galantes, Act 4: Chaconne์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Les Indes Galantes, Act 4: ChaconneEnsemble Vocal 'A coeur Joie' de Valence, ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & Orchestre Jean-Franรงois Paillard
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ('Air On the G String')์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ('Air On the G String')์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ
์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ์˜ Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Paillard)์„(๋ฅผ) ๋“ฃ๊ณ  ๊ฐ€์‚ฌ, ๋ฎค์ง ๋น„๋””์˜ค ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Paillard)์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด & ์žฅ ํ”„๋ž‘์ˆ˜์•„ ํŒŒ์ด์•ผ๋ฅด ์ฒด์ž„๋ฒ„ ์˜ค์ผ€์ŠคํŠธ๋ผ

์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด ์ •๋ณด

์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
๊ณ ํ–ฅ
Vitry-le-Franรงois, France
์ œ์ž‘์ผ
1928
์žฅ๋ฅด
ํด๋ž˜์‹

๋น„์Šทํ•œ ์•„ํ‹ฐ์ŠคํŠธ: ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด

Hรฅkan Frennesson, La Stravaganza Kรถln, ๋ชจ๋‹ˆํฌ ์•„์Šค ๋“ฑ ์žฅํ”„๋ž‘์ˆ˜์•„ ํŒŒ์•ผ๋ฅด๊ณผ(์™€) ๋น„์Šทํ•œ ์Œ์•…๊ณผ ์•„ํ‹ฐ์ŠคํŠธ๋ฅผ ๋” ๋งŽ์ด ์ฐพ์•„๋ณด์„ธ์š”
Hรฅkan Frennesson
La Stravaganza Kรถln์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
La Stravaganza Kรถln
๋ชจ๋‹ˆํฌ ์•„์Šค์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
๋ชจ๋‹ˆํฌ ์•„์Šค
Andrew Kohji Taylor
๋กœ๋ Œ์Šค ํฌ์Šคํ„ฐ์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
๋กœ๋ Œ์Šค ํฌ์Šคํ„ฐ
Jacques Chambon์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Jacques Chambon
์•„๋ฅด๋งน ์กฐ๋ฅด๋‹น์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
์•„๋ฅด๋งน ์กฐ๋ฅด๋‹น
๋งˆ์ธ ๋ชจํ†  ๋ž€์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
๋งˆ์ธ ๋ชจํ†  ๋ž€
Tapani Valsta์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Tapani Valsta
Chorale Philippe Caillard์„(๋ฅผ) ๋“ฃ๊ณ , ๋ฎค์ง ๋น„๋””์˜ค๋ฅผ ๋ณด๊ณ , ์•ฝ๋ ฅ์„ ์ฝ๊ณ , ํˆฌ์–ด ์ผ์ • ๋“ฑ์„ ํ™•์ธํ•˜์„ธ์š”!
Chorale Philippe Caillard

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