With Haywire, David Holmes returns to the partnership with director Steven Soderbergh that started with Out of Sight and Ocean’s Eleven. The brassy title track sets the mood with a stylish, anxiety-building tension reminiscent of classic scores by Lalo Schifrin. The wintry “Upstate NYC” follows with haunting tones and stark soundscapes before “Barcelona” grooves on Latin-tinged percussion and an infectious bass strut. At four minutes and 13 seconds, “Let’s Get Jiang” muses on '60s spy-movie soundtracks, with timeless timbres bobbing and weaving under hushed sitar drones, Indian harmonium, and tablas. “Against All Odds” eschews such psychedelic trappings for the kind of darting, jazz-tinged arrangements that are synonymous with ‘70s police dramas.