ALBUMBut I Like to Sing...Carolyn Sampson & Joseph Middleton
More albums from Carolyn Sampson
ALBUMBut I Like to Sing...Carolyn Sampson & Joseph Middleton
ALBUMYou Did Not Want For JoyCarolyn Sampson & Matthew Wadsworth
ALBUMSounds and Sweet Airs - A Shakespeare SongbookCarolyn Sampson, Roderick Williams & Joseph Middleton
ALBUMBach: Anna Magdalena Notebooks, 1722 and 1725Mahan Esfahani & Carolyn Sampson
ALBUMElysium - A Schubert RecitalCarolyn Sampson & Joseph Middleton
ALBUMWolf: Italienisches LiederbuchCarolyn Sampson, Allan Clayton & Joseph Middleton
ALBUMTrennung: Songs of SeparationCarolyn Sampson & Kristian Bezuidenhout
ALBUMIce Land: The Eternal Music (Bonus Track Version)Choir of Clare College, Cambridge, Dmitri Ensemble, Carolyn Sampson & Graham Ross
ALBUMPurcell: Birthday Odes for Queen MaryThe King's Consort, Carolyn Sampson, Emily Owen, Iestyn Davies, Hugh Cutting, Charles Daniels, David de Winter, Matthew Brook, Edward Grint & Robert King
Carolyn Sampson has been proclaimed "the best British early music soprano by some distance" by the editors of Gramophone magazine. Often performing and recording the music of Handel, she has also appeared on conductor Masaaki Suzuki's cycle of Bach cantatas and has recorded music of eras later than the Baroque. Sampson made her solo recording debut in 2004 with a pair of albums, one featuring love songs from Rameau's operas and the other of Handel's Ode for St. Cecilia's Day, HWV 76. In 2005, Sampson recorded a newly discovered Bach cantata, Alles mit Gott und nichts ohn' Ihn, BWV 1127, with Suzuki. In 2007, her performance at the Boston Early Music Festival production of Lully's Psyché was recorded and earned her a Grammy nomination. Sampson has appeared on more than 100 albums in all, including a recording of Canteloube's Songs of the Auvergne in 2021.