A quixotic crooner, Julio Iglesias has been casting love-induced spells since the '70s. His soft, quiverful tenor—a gift powerful enough to stir up blissed-out whirlwinds (“Milonga”)—has provoked many a swoon (“Manuela”). When he's not in quintessential Latin-lover mode, he proves his sonic versatility—the jubilant, tropical-soaked “Moralito (La Gota Fría)” flirts with vallenato rhythms, and slow-burner “A Media Luz” sizzles over tango flourishes. By the turn of the millennium, Iglesias went for a more eclectic pan-Latin pop concoction, like on “Gozar la Vida.”