This Hungarian guitarist, who elicited a distinctive electric sound from an amplified acoustic instrument, blurred the boundaries between jazz, pop, and several international styles beginning in the late '60s. Santana added Szabó's hot-yet-breezy Hungarian-Latin composition "Gypsy Queen" to "Black Magic Woman," while Szabó himself had a passion for discovering new meanings in pop hits like "Some Velvet Morning." "Galatea's Guitar" is a compelling reflection of his Eastern European heritage, with a touch of Bartók; Szabo's overdubbed sitar on "Mizrab" represents an early—and successful—stab at Indo-jazz fusion.