After testing the waters as part of various groups, Eyshila went solo in 1996; her voice alone is powerful enough to capture the attention of audiences. Her gospel music covers the spectrum of devotional song: the mournful violins of “Nada Pode Calar Um Adorador” rise to a free-spirited chorus, while “Terremoto” is a dramatic, sing-along opportunity that’s made for stadiums. Collaborations such as “Sonhos Perfeitos”, with Jairo Bonfim, and “O Milagre Sou Eu” with Lucas Santos, show that Eyshila’s honeyed voice is as suited to ballads as it is to Christian power pop.