Rush Hour
1,118
Jazz
Rush Hour was released on June 9, 1982 by Warner Records as a part of the album As We Speak
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM114
Credits
PERFORMING ARTISTS
David Sanborn
Soprano Saxophone
Marcus Miller
Bass Guitar
Omar Hakim
Drums
Michael Sembello
Guitar
Don Freeman
Keyboards
Paulinho Da Costa
Percussion
COMPOSITION & LYRICS
Marcus Miller
Songwriter
PRODUCTION & ENGINEERING
Howard Siegel
Mixing Engineer
Stephen Marcussen
Mastering Engineer
Robert Margouleff
Producer
Barbara Rooney
Assistant Engineer
Greg Mann
Assistant Engineer
Karat Faye
Assistant Recording Engineer
Rudy Hill
Assistant Engineer
Wayne Yurglin
Assistant Engineer
