Come On
16,376
Blues
Come On was released on January 1, 1982 by Geffen as a part of the album The Great Twenty-Eight
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM
Credits
PERFORMING ARTISTS
Chuck Berry
Vocals, Electric Guitar
Martha Berry
Vocals
Ebby Hardy
Drums
Johnnie Johnson
Piano
L.C. Davis
Tenor Saxophone
COMPOSITION & LYRICS
Chuck Berry
Songwriter, Composer, Lyrics
PRODUCTION & ENGINEERING
Phil Chess
Recording Engineer
Leonard Chess
Recording Engineer
Greg Fulginiti
Engineer
Steve Hoffman
Mixing Engineer, Reissue Producer
