The Eel
640
Jazz
The Eel was released on March 11, 1954 by Universal Digital Enterprises as a part of the album Stop, Look and Listen to Bud Freeman
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM127
Credits
PERFORMING ARTISTS
Bud Freeman
Tenor Saxophone
Bob Barnard
Trumpet
John Costelloe
Trombone
John McCarthy
Clarinet
Chris Taperell
Piano
Wally Wickham
Bass
Laurie Thompson
Drums
COMPOSITION & LYRICS
Bud Freeman
Composer
