I read the old poems of Lu Zimeng, the imperial attendant, and many of them echoed with Wei Zhi. I felt sad about the present and the past, so I wrote a poem for Zimeng and wrote it at the end of the scroll.
3
Electronic
I read the old poems of Lu Zimeng, the imperial attendant, and many of them echoed with Wei Zhi. I felt sad about the present and the past, so I wrote a poem for Zimeng and wrote it at the end of the scroll. was released on November 28, 2024 by Renaissance Music as a part of the album The Northeast Tower of Wei Houdi Ying Shuyan's farewell talk is written based on what I saw in the book
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM132
Credits
COMPOSITION & LYRICS
Renaissance Music
Composer
