Alternative
England
Gorillaz
Yaklaşan Gorillaz Konserleri
Gorillaz adlı sanatçının şu anda 1 upcoming concerts konseri var; bir sonraki konser 20 Eylül 2025 Cumartesi tarihinde Madrid, , İspanya M-607, KM15, Fuencarral - El Pardo - Madrid adlı mekanda olacak.
Gorillaz adlı sanatçının diğer albümleri
Gorillaz adlı sanatçının Popüler Müzik Videoları
Gorillaz hakkında
Memleketi
London, England
Kurulduğu tarih
1998
Tür
Alternative
One day in the late '90s, comic-book artist Jamie Hewlett and Blur singer Damon Albarn were sitting around in their West London flat watching TV—a brand-new Panasonic, eight channels on screen at once. Their eyes were glazed, their minds empty. The images just kept coming. This was the dawn of reality TV—shows that turned so-called real life into prepackaged stories and people into cartoons. The question hit them: If culture was already fake, why keep pretending it was real?
At first glance, the idea of an animated “virtual band”—the sprightly 2-D, rogue Murdoc Niccals, gangsta Russel Hobbs, and sweet outsider Noodle—seemed a little gimmicky, an art-school shot at mainstream pop. But in retrospect, Gorillaz’s work—the electro-indie pop of “Feel Good Inc.” and “Dare,” the leftfield hip-hop of “Clint Eastwood” and “Dirty Harry,” the bits of American gospel, African folk, and dub—reflected a rootless, fragmented world that has only gotten more familiar with time. That they had no fixed lineup and an ever-rotating series of vocalists and collaborators (from Elton John to De La Soul, Clash bassist Paul Simonon to Afro-Cuban singer Ibrahim Ferrer) not only undercut old ideas of what it meant to be a “band,” it projected a vision that felt communal, even a little utopian, unbound by borders cultural, stylistic, or otherwise. Even when they projected dystopia, they made the future sound bright (“On Melancholy Hill”). Bands are bands. In Gorillaz, we got a living, breathing playlist.
At first glance, the idea of an animated “virtual band”—the sprightly 2-D, rogue Murdoc Niccals, gangsta Russel Hobbs, and sweet outsider Noodle—seemed a little gimmicky, an art-school shot at mainstream pop. But in retrospect, Gorillaz’s work—the electro-indie pop of “Feel Good Inc.” and “Dare,” the leftfield hip-hop of “Clint Eastwood” and “Dirty Harry,” the bits of American gospel, African folk, and dub—reflected a rootless, fragmented world that has only gotten more familiar with time. That they had no fixed lineup and an ever-rotating series of vocalists and collaborators (from Elton John to De La Soul, Clash bassist Paul Simonon to Afro-Cuban singer Ibrahim Ferrer) not only undercut old ideas of what it meant to be a “band,” it projected a vision that felt communal, even a little utopian, unbound by borders cultural, stylistic, or otherwise. Even when they projected dystopia, they made the future sound bright (“On Melancholy Hill”). Bands are bands. In Gorillaz, we got a living, breathing playlist.
Gorillaz üyeleri Damon Albarn, Jamie Hewlett ve Remi Kabaka içerir veya içermiştir.
Müzikal EtkilerGorillaz adlı sanatçının müzikal etkileri arasında Beck, Portishead, Morcheeba ve daha fazlası yer alır.
Gorillaz adlı sanatçıdan etkilendiGorillaz, Andrew Applepie, SIAMES, Cruza ve daha fazlasının müziğini etkiledi.
Şuna benzer: Gorillaz
Gorillaz benzeri daha fazla müzik ve sanatçı keşfet, örneğin Blur, Tyler, The Creator, Daft Punk
