旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM97
制作
出演艺人
LL COOL J
声乐
Sona Jobarteh
声乐
Q-Tip
编程
Eric Appapoulay
其他声乐
作曲和作词
Sona Jobarteh
词曲作者
James Todd Smith
词曲作者
Kamaal Fareed
词曲作者
Jon Eberson
词曲作者
制作和工程
Sona Jobarteh
录音工程师
Q-Tip
制作人
Blair Wells
录音工程师
Oliver Turiano
助理录音工程师
Mike Bozzi
母带工程师
歌词
Look at mama, she's in the kitchen
She's swinging her hips and dipping the chicken in flour
She got the music, it's bumping
I smell the food in the oven while I two-step in the shower
A well-balanced potato salad and hot sauce
Collard greens, fried catfish and lima beans
Engrained in your brain without a meme
Like it's a preset burning up on the screen
The operation is flagrant so reparations, we take 'em
And we be patiently waiting and for cake, we be scraping
Until it's late in the A.M
When you sick of the mayhem, you demonstrate 'til they pay him
Your body swaying, you listen what I'm saying
Don't want that AK-K-K commence to spraying
OG mind free, you cannot enslave him
And if the tables ever turn, you know nothing can save him
That sensation burning like Louisianan Cajun
The faint aroma, somebody is blazing to bring the day in
Big bro on his way in
Never forget where you started
'Cause that could be where you end
From a far away land, we were departed
Trying to find where we began
Mama said there was a code
That we all should abide by
Big man said there was a code
By which we should live and we should die by
Beats shaking like flour in paper bags
See 'em saluting and recruiting and waving flags
Spice in the hot sauce, crispy on the chicken
The screen door slamming and the young boy Cripping
Mama when she dancing, your uncle when he tripping
The spirit of Stevie Wonder when Superstition was written
I'm the first bop when you walk into the party
I'm the Chris Rock when you snapping on somebody
I'm the ingenuity, the mental acuity
Duke Ellington dexterity, I'm truly a rarity
I'm the sound of Miles Davis, it's impossible to bury me
The slow pimp walk, it's impossible to hurry me
The red cup, brown liquor, spades all night
Shower cap, house slippers, braids just right
Feeling when that itch in your weave is relieved
I'm your taste buds biting on the sunflower seeds
Only crossover I support is Kyrie
WEB mentality
I'm the Biz going off, Diana, I'm the boss
Or you could say Ross, Pirellis with the gloss
I'm the underground Harriet, the swing low chariot
Backyard smoker, fried okra and asparagus
The look in the eyes of someone who can relate
I'm the knowing that his loving couldn't possibly be hate
I'm the prayer of a mama, want her son to walk straight
I'm the prisoner released when he walking out the gate
I'm Black, I'm Black, I'm Black, I'm Black
Kananyina ifolodu yala (Black code)
Iyakilu otui b'ozu moto (Read your Black code)
Nwadiyo, nwadiyo (Read your Black code)
(Read your Black code, it's for everybody)
(Read your Black code)
Iyeee, iyeee (Read your Black code)
Fatafina nyonte (Read your Black code)
Iyeee, iyeee (Read your Black code, it's for everybody)
Eee (Read your Black code)
Malkanyere k'onyo (Read your Black code)
Fatafina adowa (Fatafina, angaanya, fatafina)
Mulimwanyamu simu (Fatafina, angaanya, fatafina)
Fatafina adowa (Fatafina, angaanya, fatafina)
Mulimwanyamu simu (Fatafina, angaanya, fatafina)
Written by: James Todd Smith, Jon Eberson, Kamaal Fareed, Sona Jobarteh

