旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM97
積分
演出藝人
LL COOL J
聲樂
Sona Jobarteh
聲樂
Q-Tip
編程
Eric Appapoulay
其他和聲
詞曲
Sona Jobarteh
詞曲創作
James Todd Smith
詞曲創作
Kamaal Fareed
詞曲創作
Jon Eberson
詞曲創作
製作與工程團隊
Sona Jobarteh
錄音師
Q-Tip
製作人
Blair Wells
錄音師
Oliver Turiano
助理錄音師
Mike Bozzi
母帶工程師
歌詞
Look at mama, she's in the kitchen
She's swinging her hips and dipping the chicken in flour
She got the music, it's bumping
I smell the food in the oven while I two-step in the shower
A well-balanced potato salad and hot sauce
Collard greens, fried catfish and lima beans
Engrained in your brain without a meme
Like it's a preset burning up on the screen
The operation is flagrant so reparations, we take 'em
And we be patiently waiting and for cake, we be scraping
Until it's late in the A.M
When you sick of the mayhem, you demonstrate 'til they pay him
Your body swaying, you listen what I'm saying
Don't want that AK-K-K commence to spraying
OG mind free, you cannot enslave him
And if the tables ever turn, you know nothing can save him
That sensation burning like Louisianan Cajun
The faint aroma, somebody is blazing to bring the day in
Big bro on his way in
Never forget where you started
'Cause that could be where you end
From a far away land, we were departed
Trying to find where we began
Mama said there was a code
That we all should abide by
Big man said there was a code
By which we should live and we should die by
Beats shaking like flour in paper bags
See 'em saluting and recruiting and waving flags
Spice in the hot sauce, crispy on the chicken
The screen door slamming and the young boy Cripping
Mama when she dancing, your uncle when he tripping
The spirit of Stevie Wonder when Superstition was written
I'm the first bop when you walk into the party
I'm the Chris Rock when you snapping on somebody
I'm the ingenuity, the mental acuity
Duke Ellington dexterity, I'm truly a rarity
I'm the sound of Miles Davis, it's impossible to bury me
The slow pimp walk, it's impossible to hurry me
The red cup, brown liquor, spades all night
Shower cap, house slippers, braids just right
Feeling when that itch in your weave is relieved
I'm your taste buds biting on the sunflower seeds
Only crossover I support is Kyrie
WEB mentality
I'm the Biz going off, Diana, I'm the boss
Or you could say Ross, Pirellis with the gloss
I'm the underground Harriet, the swing low chariot
Backyard smoker, fried okra and asparagus
The look in the eyes of someone who can relate
I'm the knowing that his loving couldn't possibly be hate
I'm the prayer of a mama, want her son to walk straight
I'm the prisoner released when he walking out the gate
I'm Black, I'm Black, I'm Black, I'm Black
Kananyina ifolodu yala (Black code)
Iyakilu otui b'ozu moto (Read your Black code)
Nwadiyo, nwadiyo (Read your Black code)
(Read your Black code, it's for everybody)
(Read your Black code)
Iyeee, iyeee (Read your Black code)
Fatafina nyonte (Read your Black code)
Iyeee, iyeee (Read your Black code, it's for everybody)
Eee (Read your Black code)
Malkanyere k'onyo (Read your Black code)
Fatafina adowa (Fatafina, angaanya, fatafina)
Mulimwanyamu simu (Fatafina, angaanya, fatafina)
Fatafina adowa (Fatafina, angaanya, fatafina)
Mulimwanyamu simu (Fatafina, angaanya, fatafina)
Written by: James Todd Smith, Jon Eberson, Kamaal Fareed, Sona Jobarteh

