Albums by Niney the Observer
ALBUMObserver Dub Catalog, Vol. 24 (Ganga Tea Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 23 - Wake Up DubNiney the Observer
ALBUMObserver Dub Catalog, Vol. 22 - Mind What Ur Doing DubNiney the Observer
ALBUMObserver Dub Catalog, Vol. 21 - Burning Fire DubNiney the Observer
ALBUMObserver Dub Catalog, Vol. 20 (25 Ton of Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 19 (Hungry Police Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 18 (Super Flyer Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 17 (Rainy Day Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 16 (Balanced Dub)Niney the Observer
ALBUMObserver Dub Catalog, Vol. 15 (Strike Fire Dub)Niney the Observer
Artist Playlists
Niney the Observer Essentials
Behold a ‘70s reggae pioneer whose career extended far beyond that formative decade.
Artist Biography
Producer Niney the Observer was among the chief architects behind the classic reggae sound of the early 1970s. Born Winston Holness in Montego Bay, Jamaica in 1951, he acquired the Niney moniker when he lost a thumb in a workshop mishap; he entered the music industry during the late '60s as a protégé of producer Bunny Lee, later working with Lee "Scratch" Perry. Upon establishing his own Observer label, Niney's first hit was the 1970 Dennis Alcapone single "Mr. Brown"; later that year he unleashed the seminal "Blood and Fire," which sold some 30,000 copies in Jamaica alone while forever earning the enmity of Bob Marley, to whose "Duppy Conqueror" the record bore more than a passing resemblance. Niney's greatest success came in partnership with singer Dennis Brown, with whom he first teamed in 1973; in the months to follow, their collaboration yielded a series of innovative smashes, among them "Westbound Train," "I Am the Conqueror," "Cassandra," and "No More Will I Roam." He also produced material for figures including Gregory Isaacs, Horace Andy, Junior Delgado, and Delroy Wilson. Niney left the music business during the late '70s, finally resurfacing in Paris around 1982; by the middle of the decade, he had returned to Kingston to briefly work at Channel One studios. He returned to active musical duty in 1988, producing records for Andrew Tosh and Frankie Paul; projects with Little John, Yami Bolo, and Baby Wayne maintained his visibility during the decade to follow. ~ Jason Ankeny
Hometown
Montego Bay, Jamaica
Genre
Reggae