The deeper you plunge into the catalogue of Portuguese indie rockers Clã (meaning "clan"), the more impressively versatile they sound. The secret is singer Manuela Azevedo, who channels a lachrymose young woman in "Lágrima De Moça" (Tears of a Girl), explores the mystery of emotional electricity in "Curto circuito" (Short Circuit) and gets inside a dog's head in "O Meu a Meu Dono" (To My Owner).