Pop
United States
Madonna
Upcoming Release
![Listen to Popular (feat. Playboi Carti) [Music from the HBO Original Series The Idol] by The Weeknd & Madonna, see lyrics, music video & more!](https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/f9/40/ce/f940ce64-ef5e-9ed0-5171-45d790b8b999/23UMGIM66787.rgb.jpg/375x375bb.webp "Listen to Popular (feat. Playboi Carti) [Music from the HBO Original Series The Idol] by The Weeknd & Madonna, see lyrics, music video & more!")
Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Madonna that have reached the Top 50 of the Shazam Global Chart
OVERVIEW![Track artwork for track titled Popular (feat. Playboi Carti) by The Weeknd & Madonna]()
![Track artwork for track titled Back That Up To The Beat (Demo Version) by Madonna]()
![Track artwork for track titled Frozen by Madonna & Sickick]()
+4Madonna has landed 7 songs in the Top 50 of the Shazam Global Chart, peaking at No. 3! Across those appearances, Madonna has spent a combined 572 days on the chart.
7Top 50 Entries
572Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
The Weeknd & Madonna
#3206Jun 12, 2023
"Popular (feat. Playboi Carti)" by The Weeknd & Madonna achieved a peak position of No. 3 on the Shazam Global Chart and remained in the Top 50 for 206 day(s).
Released
2023Total Shazams
8M
Days in Top 50
206The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Jun 12, 2023"Popular (feat. Playboi Carti)" by The Weeknd & Madonna achieved a peak position of No. 3 on the Shazam Global Chart and remained in the Top 50 for 206 day(s).
Released
2023Total Shazams
8M
Days in Top 50
206The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Jun 12, 2023
#8107Dec 8, 2022
"Back That Up To The Beat (Demo Version)" by Madonna climbed to No. 8 on the Shazam Global Chart, spending 107 day(s) in the Top 50.
Released
2019Total Shazams
4M
Days in Top 50
107The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Dec 8, 2022"Back That Up To The Beat (Demo Version)" by Madonna climbed to No. 8 on the Shazam Global Chart, spending 107 day(s) in the Top 50.
Released
2019Total Shazams
4M
Days in Top 50
107The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Dec 8, 2022
Madonna & Sickick
#10199Aug 18, 2021
"Frozen" by Madonna & Sickick achieved a peak position of No. 10 on the Shazam Global Chart and remained in the Top 50 for 199 day(s).
Album
Frozen - SingleReleased
2021Total Shazams
7M
Days in Top 50
199The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Aug 18, 2021"Frozen" by Madonna & Sickick achieved a peak position of No. 10 on the Shazam Global Chart and remained in the Top 50 for 199 day(s).
Album
Frozen - SingleReleased
2021Total Shazams
7M
Days in Top 50
199The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Aug 18, 2021
Madonna
#1321Apr 24, 2024
"Like a Prayer" by Madonna achieved a peak position of No. 13 on the Shazam Global Chart and remained in the Top 50 for 21 day(s).
Album
Like a PrayerReleased
1989Total Shazams
8M
Days in Top 50
21The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 24, 2024"Like a Prayer" by Madonna achieved a peak position of No. 13 on the Shazam Global Chart and remained in the Top 50 for 21 day(s).
Album
Like a PrayerReleased
1989Total Shazams
8M
Days in Top 50
21The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 24, 2024
Madonna & Maluma
#3232Apr 30, 2019
"Medellín" by Madonna & Maluma achieved a peak position of No. 32 on the Shazam Global Chart and remained in the Top 50 for 32 day(s).
Album
Madame X (Deluxe)Released
2019Total Shazams
1M
Days in Top 50
32The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 30, 2019"Medellín" by Madonna & Maluma achieved a peak position of No. 32 on the Shazam Global Chart and remained in the Top 50 for 32 day(s).
Album
Madame X (Deluxe)Released
2019Total Shazams
1M
Days in Top 50
32The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Apr 30, 2019Madonna & Quavo
#416May 19, 2019
"Future" by Madonna & Quavo achieved a peak position of No. 41 on the Shazam Global Chart and remained in the Top 50 for 6 day(s).
Album
Madame X (Deluxe)Released
2019Total Shazams
174K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
May 19, 2019"Future" by Madonna & Quavo achieved a peak position of No. 41 on the Shazam Global Chart and remained in the Top 50 for 6 day(s).
Album
Madame X (Deluxe)Released
2019Total Shazams
174K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
May 19, 2019Madonna's Popular Music Videos
![Watch Holiday (7" Version) [2022 Remaster] music video by Madonna](https://is1-ssl.mzstatic.com/image/thumb/Video116/v4/6d/50/6c/6d506cbd-c366-ad46-5693-380fdda8cba5/USRH12203206.sca1.jpg/575x575mv.webp "Watch Holiday (7\" Version) [2022 Remaster] music video by Madonna")
![Watch Levitating (feat. Madonna and Missy Elliott) [The Blessed Madonna Remix] music video by Dua Lipa](https://is1-ssl.mzstatic.com/image/thumb/Video114/v4/0e/f4/70/0ef470e9-1de6-5ec9-ba02-e0e36a98066f/GB1302000681.sca1.jpg/575x575mv.webp "Watch Levitating (feat. Madonna and Missy Elliott) [The Blessed Madonna Remix] music video by Dua Lipa")
![Watch Bitch I'm Madonna (feat. Nicki Minaj) [Sander Kleinenberg Remix] music video by Madonna](https://is1-ssl.mzstatic.com/image/thumb/Video211/v4/c3/fe/a8/c3fea860-5ce7-a50c-51b4-a5a7864d4fc8/USUMV1400669.sca1.jpg/575x575mv.webp "Watch Bitch I'm Madonna (feat. Nicki Minaj) [Sander Kleinenberg Remix] music video by Madonna")
Artist Playlists
About Madonna
When Madonna Louise Ciccone was 15, she put on a black silk cape and the biggest platform shoes she owned, snuck out of her bedroom window in suburban Michigan, and hitchhiked to Detroit to see David Bowie live. The night changed her life—not just because the music was great, but because, as she put it more than 20 years later while accepting Bowie’s induction into the Rock & Roll Hall of Fame, “it was great theater. Here was this beautiful, androgynous man, just being so…perverse.” More than a musician, Madonna—like Bowie was—is a supreme cultural curator. She's an artist capable of combining styles and images in ways that are both novel and groundbreaking, who changes with such frequency and confidence that change has become her defining characteristic.
Born in Bay City, Michigan, in 1958, she spent her childhood studying ballet, later moving to New York to try and make it as a dancer. (She was fired from a brief stint at a Times Square Dunkin’ Donuts after spraying a customer—either accidentally or on purpose, she never confirmed—with donut jelly.) After playing in a couple of New Wave bands, she went solo, exploring a simple, almost punky, almost amateurish take on dance music (“Borderline,” “Lucky Star”) that brought the grandeur of disco down to human scale. She remained more or less invincible throughout the '80s, releasing a string of albums (Like a Virgin, True Blue, and Like a Prayer) that continue to define the era. Like Prince, her music was immediate but her character was incredibly complex: She could be brassy (“Material Girl”) and sweet (“Open Your Heart”), earnest (“Papa Don’t Preach”) and playful (“Like a Virgin”), sacred and profane—a variety that widened the emotional spectrum for pretty much every female pop artist in her wake.
In the ’90s, she shifted her focus more explicitly to the intersection of sex and power (Erotica, Bedtime Stories, the photo book Sex), with a sound that flirted with house, new jack swing, and late-night R&B. (Between “Vogue” and the tour documentary Madonna: Truth or Dare, it was also a moment when she leaned into her support of the LGBTQ community—a relationship that has defined her career.) Just as quickly as she’d embraced her inner sinner, she pivoted, first with a role as former Argentinian first lady Eva Perón in the 1996 film and soundtrack Evita, then with the 1998 album Ray of Light—projects that rechristened her as a mature, soul-searching artist in a chaotic world. She kept pace through the 2000s and 2010s, exploring disco, electro, and minimalistic takes on ’80s dance music, continuing to track the sound of the times while always, somehow, remaining herself.
When she was a young woman pursuing a dance career in New York, she’d been given a nickname by the famed choreographer Martha Graham: Madame X, a shape-shifting woman whose identity was, as the name suggests, a variable. About 40 years later, she embraced the moniker for 2019’s Madame X, an album influenced by the yearning fado music of her adopted home of Lisbon, Portugal.
Born in Bay City, Michigan, in 1958, she spent her childhood studying ballet, later moving to New York to try and make it as a dancer. (She was fired from a brief stint at a Times Square Dunkin’ Donuts after spraying a customer—either accidentally or on purpose, she never confirmed—with donut jelly.) After playing in a couple of New Wave bands, she went solo, exploring a simple, almost punky, almost amateurish take on dance music (“Borderline,” “Lucky Star”) that brought the grandeur of disco down to human scale. She remained more or less invincible throughout the '80s, releasing a string of albums (Like a Virgin, True Blue, and Like a Prayer) that continue to define the era. Like Prince, her music was immediate but her character was incredibly complex: She could be brassy (“Material Girl”) and sweet (“Open Your Heart”), earnest (“Papa Don’t Preach”) and playful (“Like a Virgin”), sacred and profane—a variety that widened the emotional spectrum for pretty much every female pop artist in her wake.
In the ’90s, she shifted her focus more explicitly to the intersection of sex and power (Erotica, Bedtime Stories, the photo book Sex), with a sound that flirted with house, new jack swing, and late-night R&B. (Between “Vogue” and the tour documentary Madonna: Truth or Dare, it was also a moment when she leaned into her support of the LGBTQ community—a relationship that has defined her career.) Just as quickly as she’d embraced her inner sinner, she pivoted, first with a role as former Argentinian first lady Eva Perón in the 1996 film and soundtrack Evita, then with the 1998 album Ray of Light—projects that rechristened her as a mature, soul-searching artist in a chaotic world. She kept pace through the 2000s and 2010s, exploring disco, electro, and minimalistic takes on ’80s dance music, continuing to track the sound of the times while always, somehow, remaining herself.
When she was a young woman pursuing a dance career in New York, she’d been given a nickname by the famed choreographer Martha Graham: Madame X, a shape-shifting woman whose identity was, as the name suggests, a variable. About 40 years later, she embraced the moniker for 2019’s Madame X, an album influenced by the yearning fado music of her adopted home of Lisbon, Portugal.
Madonna has also released music as a member of Breakfast Club.
Musical InfluencesMadonna's musical influences include David Bowie, Marvin Gaye, Prince and more.
Influenced by MadonnaMadonna has influenced the music of Rihanna, Beyoncé, Nicki Minaj and more.
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