Jazz
Sweden
Rune Gustafsson
Top-Songs von Rune Gustafsson
Lennart Aberg, Babafumi Akunyon, Jan Allan, Carl Atkins, Americo Bellotto, Cameron Brown, John Clark, Stanley Cowell, Stanton Jr. Davis, Arne Domnérus, Bengt Edvarsson, Marty Ehrlich, Ricky Ford, Lee Genesis, Vlodek Gulgowski, Wlodek Gulgowski, Rune Gustafsson, Lars-urban Helje, Terumasa Hino, Jörgen Johansson, Sven Larsson, Bertil Lövgren, Ricky Martinez, Sabu Martinez, Erik Nilsson, Haken Nyquist, Lars Olofsson, Roger Rosenberg, Bernt Rosengren, George Russell, Warren Smith, Lew Soloff, Goetz Tangerding, David Taylor, Ian Uling & Gary Valente
Lennart Aberg, Jan Allan, Arild Andersen, Palle Bolvig, Christer Boustedt, Jon Christensen, Rupert Clemendore, Stanton Jr. Davis, Arne Domnérus, Roman Dylag, Berndt Egarbladh, Maffy Falay, Jan Garbarek, Rune Gustafsson, Bengt Hallberg, Egil Bop Johansen, Olle Lind, Bertil Lövgren, Sabu Martinez, Palle Mikkelborg, Erik Nilsson, Georg Riedel, Claes Rosendahl, Bernt Rosengren, George Russell, Terje Rypdal, Lars Samuelson & Georg Vernon
Weitere Alben von Rune Gustafsson
Über Rune Gustafsson
Heimatort
Göteborg, Sweden
Geburtstag
August 25, 1933
Genre
Jazz
Heavily inspired by generations of blurry-toned jazz guitar maestros such as Jimmy Raney, Jim Hall, and Tal Farlow, this Swedish artist went on to compose critically acclaimed film soundtracks as well as pick and strum. The Swedish music scene in general is where documentation of Rune Gustafsson is most prevalent, his discography on Sonet, Metronome, and other labels even including a tribute to soul genius Stevie Wonder. The guitarist began performing folk music as a young teen, apparently under considerable prodding from an uncle who was already engaged in the same kind of activity. Gustafsson had evolved to playing jazz on stages in the early '50s, his bandleaders including Bert Dahlander, Putte Wickman, Hacke Bjorksten, and Lars Gullin. When profiled in Leonard Feather's Encyclopedia of Jazz in the '70s, Gustafsson talked about his ambitions in composing and arranging concert music, a promise he certainly made good on in the ensuing years. He also expanded his instrumental arsenal for some of these projects, recording on the banjo and the celeste, among other unusual axes. His film credits include the 1992 Ingmar Bergman release with the English title of Sunday's Children. ~ Eugene Chadbourne
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