Not many artists can claim to have remixed Soundgarden, David Bowie, and Daft Punk, but Moby's diverse background leaves him well-positioned for such stylistic border-hopping. “Harbour,” with Sinead O'Connor, is a wistful take on Americana; “Dog Heaven,” from his Voodoo Child alias, is a weightless ambient miniature. “Barracuda,” on the other hand, is industrial-tinged techno at its noisiest.