Pascal Comelade's name might be a familiar one, thanks to his high-profile collaborations with artists like Robert Wyatt and PJ Harvey. Since the mid-‘70s, this French composer and musician has built up a heady discography of clever, melodic, almost prog-like tunes that fearlessly embraces instruments of all shapes and sizes. In recent years that has meant a joyous use of toy instruments, but Comelade has laid his steady hands on everything from analog synthesizers to the staff paper he uses to write out a gorgeous chamber ensemble piece for a film soundtrack.