Other than Bob Dylan, no one personified ‘60s folk protest music more than Phil Ochs. A mainstay of the Greenwich Village folk scene, Ochs charted the political chaos and possibilities of one of the most tumultuous periods in American history with both a hard-eyed sense of humor and a heartbreaking sincerity. Ochs was revered by the folk community, but he could also tweak the noses of the folk establishment as effectively as Dylan, as his latter-day musical experiments proved.