album cover
Really Like
album cover
Really Like fue lanzado el 28 de mayo de 2019 por Right Now Sound LLC como parte del álbum Ultraviolet
Released28 de mayo de 2019
Sello discográficoRight Now Sound LLC
IdiomaEnglish
BPM77
Melodía
Nivel de sonidos acústicos
Valence
Capacidad para bailar
Energía

Letra

Mano!
Right Now Sound
Go Grizz
OG Parker
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Girl, are you up? I'll be home around like two (Two)
Made a liquor run so we can do what we do (Do)
Got yo bag packed like you leaving out for school (School)
No need for clothes, I love to see you in the nude (Nude)
Oh, I fuck you right, I will (Will)
One round done, I gotta pop the seal (Seal)
Oh, I gotta keep it real (Real)
Wanna know what this is 'cause it feels
You make me drop the roof
You jumped in, I'm like, "Ooh"
It's like physics when I'm in it
Girl, I can't explain, no
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
5'2", lookin' fine on you (You)
Mad shots (Shots), know what I'm gon' do (Do)
Take you where you wanna go (Go)
Know that sex is good cardio (Yeah)
If you wanna get freaky
Girl, I don't get tired (No)
Nevermind what your folks say (Your folks)
You can have it your way, your way
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
Tell me what it's like, what it's really like
So I don't waste my time, girl
OG Parker
Written by: Christopher Dotson
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