album cover
Stygian Hand
219
En tournée
Rock
Stygian Hand est sorti le 7 mars 2025 par InsideOutMusic dans le cadre de l'album Curious Ruminant
album cover
Date de sortie7 mars 2025
LabelInsideOutMusic
Qualité mélodique
Acoustique
Valence
Dansabilité
Énergie
BPM107

Clip vidéo

Clip vidéo

Crédits

INTERPRÉTATION
Ian Anderson
Ian Anderson
Flûte
David Goodier
David Goodier
Guitare basse
John O'Hara
John O'Hara
Accordéon
Jack Clark
Jack Clark
Guitare électrique
Scott Hammond
Scott Hammond
Batterie
COMPOSITION ET PAROLES
Ian Anderson
Ian Anderson
Paroles/Composition
PRODUCTION ET INGÉNIERIE
Ian Anderson
Ian Anderson
Production
Nick Watson
Nick Watson
Ingénierie de mastérisation
James Anderson
James Anderson
Ingénierie de prise de son

Paroles

[Verse 1]
Cobbled road, cobbled way, dark as pitch, grey mist swirling
Something lightly treading, this way comes
Could be the bobby on his beat, torch probe a-curling
Along the dead-end alley between the slums
[Verse 2]
Crash! The Stygian hand, against my brow
Unholy tempter, with confrontation face
I proffer cross of comfort, defiant exorcism
No starting gun to join this hoary devil's race
[Chorus]
Symbol of faith, symbol of sacrifice
Icon of glory, graven in gold
Alpha, Omega, and all things between
Strength to the bearer, good grace to behold
[Verse 3]
Glimpse of peace and grasp of last hope divine
In the gathering dusk, when nightlights dim
Give firm resolve in times of desperation
As spectral visitants in life's dark corridor swim
[Chorus]
Symbol of faith, symbol of sacrifice
Icon of glory, graven in gold
Alpha, Omega, and all things between
Strength to the bearer, good grace to behold
[Verse 4]
Cobbled roadway, dark as pitch, grey mist swirling
Something lightly treading, this way comes
Could be the bobby on his beat, torch probe a-curling
Along the dead-end alley between the slums
[Verse 5]
Crash! The Stygian hand, against my brow
Unholy tempter, with confrontation face
I proffer cross of comfort, defiant exorcism
No starting gun to join this hoary devil's race
Written by: Ian Anderson
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