Titres les plus populaires de Peter Gabriel
Titres similaires
Crédits
INTERPRÉTATION
Peter Gabriel
Chant
London Scratch Orchestra
Orchestre
Ben Foster
Direction d’orchestre
John Metcalfe
Alto
Sarah Burnett
Basson
Tim Lines
Clarinette
Ben Russell
Contrebasse
Ian Burdge
Violoncelle
Alice Neary
Violoncelle
Paul Cassidy
Alto
Helen Kamminga
Alto
Liz Varlow
Alto
Fiona Bonds
Alto
Everton Nelson
Violon
Stephen Morris
Violon
Peter Hanson
Violon
Ian Belton
Violon
Rick Koster
Violon
Louisa Fuller
Violon
Richard George
Violon
Matthew Scrivener
Violon
Ian Humphries
Violon
Clare Hayes
Violon
Chris Laurence
Contrebasse
Richard Pryce
Contrebasse
Dan Jenkins
Trombone
Richard Edwards
Trombone
Tracy Holloway
Trombone
Eliza Marshall
Flûte
Tom Cawley
Piano
Mark Frost
Trombone basse
Gordon Laing
Contrebasson
Richard Watkins
Cor
Richard Bissell
Cor
Dave Lee
Cor
Andy Crowley
Trompette
Chris Worsey
Violoncelle
Daniel Newell
Trompette
Dave Powell
Tuba
Ed Tarrant
Trombone
Helen Paterson
Violon
Henry Richard
Trombone basse
Jackie Thomas
Violoncelle
Jeremy Morris
Violon
Martin Burgess
Violon
Paul Mayes
Trompette
Richard Steggall
Cor
Will Schofield
Violoncelle
COMPOSITION ET PAROLES
Paul Simon
Paroles/Composition
Forere Motloheloa
Paroles/Composition
John Metcalfe
Orchestration
PRODUCTION ET INGÉNIERIE
Peter Gabriel
Production
Bob Ezrin
Production
Steve Orchard
Ingénierie de prise de son
Richard Chappell
Ingénierie de mixage
Pete Sené
Assistance d’ingénierie de prise de son
Laurence Greed
Assistance d’ingénierie de prise de son
Tony Cousins
Ingénierie de mastérisation
John Metcalfe
Ingénierie de mixage
Mark Claydon
Ingénierie de mixage
Olga Fitzroy
Assistance d’ingénierie de prise de son
Paroles
It was a slow day
And the sun was beating
On the soldiers by the side of the road
There was a bright light
A shattering of shop windows
The bomb in the baby carriage
Was wired to the radio, and
These are the days of miracle and wonder
This is the long-distance call
The way the camera follows us in slow-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
These are the days of miracle and wonder
And don't cry, baby, don't cry, don't cry
It was a dry wind
And it swept across the desert
And it curled into the circle of birth
And the dead sand
Falling on the children
The mothers and the fathers
And the automatic earth
These are the days of miracle and wonder
This is the long-distance call
The way the camera follows us in slow-mo
The way we look to us all, oh, yeah
The way we look to a distant constellation
That's dying in a corner of the sky
These are the days of miracle and wonder
And don't cry, baby, don't cry, don't cry
It's a turn-around jump shot
It's everybody jump start
It's every generation throws a hero up the pop charts
Medicine is magical and magical is art
Think of the boy in the bubble
And the baby with the baboon heart
And I believe
These are days of lasers in the jungle
Lasers in the jungle somewhere
Staccato signals of constant information
A loose affiliation of millionaires
And billionaires, and, baby
These are the days of miracle and wonder
This is the long-distance call
The way the camera follows us in slow-mo
The way we look to us all, oh, yeah
The way we look to a distant constellation
That's dying in a corner of the sky
These are the days of miracle and wonder
And don't cry, baby, don't cry, don't cry, don't cry
Writer(s): Paul Simon, Forere Motloheloa
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