メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM91
ミュージックビデオ
ミュージックビデオ
クレジット
PERFORMING ARTISTS
R. Montgomery
Rap
COMPOSITION & LYRICS
Mr. Porter
Composer
D. Porter
Songwriter
R. Montgomery
Songwriter
PRODUCTION & ENGINEERING
Mr. Porter
Producer
Ryan Highland
Engineer
Chris Beast
Engineer
I.V. Duncan
Engineer
Morning Estrada
Engineer
Mauricio Iragorri
Mastering Engineer
Steve "Steve B" Baughman
Mastering Engineer
歌詞
I'm signing off on this
On the same ones the treasury prints
With every intent to see **** dying off of it
I signed at Sony
A couple of years after the NBA signed Kobe
And he about to retire
So if anybody see Don Lenner
Make sure you tell him I ain't lost it yet
Somebody tell Tom Silverman "Hi" for me
Look in the sky there's a fly sorcerer
Eye-balling me from of a flying saucer
And my mind is like a full clip
And my competitions' magazines are running low
Like the Source and Vibe offices
Since '99, Hip-Hop been like my orphanage
Got dropped a lot
But every time I signed I got a million
A&Rs and exec's were telling me I'm not appealing
Trying to turn me into Nas, I'm not him but I forgive you
This is a Bob Marley
Bob Dylan spiritual vibe that I'm feeling
These scars are time healing
Clearly you lost
You tried to put me in a box--how dare you
Try to minimize a lyrical god?
I'll godzilla these walls
My prime's no time near
I'll improvise till my ceilings
Get wizard of Oz
I'm the illest alive
I'm the rose that rose
From the concrete with the thorn
And when I'm gone I shall live in a vase
Me and Porter just handling business
Boy we came a long way from blasting cannons
And having to throw 'em in trash cans
Dismantling shipments
I had the manager shift at my day job too
I laid down rules
No gas station past 8 mile
Past eight or late drive-throughs
Maxell tape, you play the whole B side
You flip it over and hear the whole A side too
Now we got iCloud and FaceTime basically
To knock down the grape vine
Make way as the chaos ensues
**** saving ratchets calling themselves bosses
But they not
They David Hasselhoff
And they bay watch
But I'm cool
Nowadays my life be lavish
Who I'm out with tonight
It might be a model or
Might be an actress
She might be a ballerina
She might do plays
She might just like theatrics
She might be famous
I must just pipe her for bragging rights
She might get mad at the paparazzi
For flashing cameras at her ass
As she covers her face with her arm
As if she's dabbing
She might be dragging
Me at some uptight fashion show somewhere
Where people like Madonna and Bono go
I might take one look up and down at the clothes
And say, "Hell no, It's time to go."
Come on it's time to go
I might fuck her on the kitchen table
At her crib in the Hamptons
I might lay her down gently
I might slam her
I might even fuck around and yell domino
My soul just sound off like "you got a pair."
I'm a real ****
I done lost a lot of friends over the years
I've been losing a lot of hair
Been told that I'm out my mind
But if you only knew what was inside it
You too would choose to stay out of there
I take my hats off to the addicts
Going through something tragic in their lives
Shit even I backed off the madness
I had to take some time off the rap and realize
Now how do I stop being underrated?
How do I get props like, let's say, a Drake?
But I rap with the skill set of let's say
A Black Thought or an Elhzi
If Jay Elec can bag a Rothschild without an album then I can come back to rap after doing some jail time
No one cares about sales now
They care about Facebook status
It's all about gadgets and getting fatter than hell
And consuming shit like them Patti LaBelle pies
Like lunatics, speaking of, I knew this chick
Who used to just be happy to make it out the hood to see me
Then she got on some fucking Truman shit
She's starting asking me to do some shit....
(Record fades to close)
Written by: Ryan Montgomery, Denaun Montez Porter


