メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM92
ミュージックビデオ
ミュージックビデオ
クレジット
PERFORMING ARTISTS
Logic
Vocals
COMPOSITION & LYRICS
Sir Robert Bryson Hall II
Songwriter
Arjun Ivatury
Songwriter
Kyle Metcalfe
Songwriter
PRODUCTION & ENGINEERING
6ix
Producer
PSTMN
Producer
Bobby Campbell
Mixing Engineer
歌詞
[Intro]
Yeah, yeah
Hahaha
Ayy
[Chorus]
Chillin' with the homies at the crib
Bumpin' Pac Div, this the life I live, you ain't know about it
Hit the studio with No I.D.
Make a couple platinum records in that bitch and then I dip up out it
On the 101, my wife text me
Talkin' 'bout, "You gotta get home, feed your son," girl, don't trip about it
Walk up in with apple sauce and broccoli
Little Bobby, better eat your greens, boy, don't give me lip about it
[Verse 1]
I'm a dad, this my life
This the type of shit I write
I was hungry in the basement, now that boy, he full of life
Smoking dope, high as a kite
Only when that babysitter at the crib, though
Take my shorty to Nobu and dig up in her rib though, ayy, yeah
(Take my shorty to Nobu and dig up in her rib though, yeah)
'Cause back in my day it was food stamps
And I love my wife like I am Chance
I bet you'd rap about the shit me and him rap about
If you had ever made it out, but you ain't never had the chance
Uh, uh, circumstance
Uh, uh, way of life
Uh, uh, my decisions
Uh, uh, made 'em right
[Chorus]
Chillin' with the homies at the crib
Bumpin' Pac Div, this the life I live, you ain't know about it
Hit the studio with No I.D.
Make a couple platinum records in that bitch and then I dip up out it
On the 101, my wife text me
Talkin' 'bout, "You gotta get home, feed your son," girl, don't trip about it
Walk up in with apple sauce and broccoli
Little Bobby, better eat your greens, boy, don't give me lip about it (Ayy, ayy)
[Verse 2]
I've upgraded while they waited, will they love it, will they hate it?
Who gives a fuck though
Rappers praying they next, this shit is cutthroat
I'm livin' on another planet
My manic depression make me constantly wanna panic
I'm stressing on stage, pretendin' everybody undressing
I think I'll never learn my lesson, but fuck it all, it doesn't matter
Ayo, I'm on a lyrical, poetic rhetoric
Lyrical miracle, satirical shit
If you don't like my conscious rap, you won't like my material shit
Love him or hate him, everybody know Logic can spit
Used to be up to date on that rap political shit
But nowadays I'm up to my elbows
And every single inch of my body in my baby's shit
I could tell you more about diapers than modern rappers in cyphers
I used to be about the B-Rabbits and Mekhi Phifers
Hit the stage, grip the mic and murder you like a pro-lifer
But I'm done now, I got a son now
Fuck the rap game, I'm done now
[Chorus]
Chillin' with the homies at the crib
Bumpin' Pac Div, this the life I live, you ain't know about it
Hit the studio with No I.D.
Make a couple platinum records in that bitch and then I dip up out it
On the 101, my wife text me
Talkin' 'bout, "You gotta get home, feed your son," girl, don't trip about it
Walk up in with apple sauce and broccoli
Little Bobby, better eat your greens, boy, don't give me lip about it
[Verse 3]
They say that that boy done changed
He don't rap about his everyday life, he ain't the same
Goddamn, already had a hard life once
Am I supposed to recreate it every album for you cunts? Okay
You want to hear about my everyday
I wake up, I wake my son up, then I feed him
And lead him into his car seat
Drive up the street down to Target
Don't do hard drugs or beat my wife
But the paparazzi still wanna start shit
I don't answer their questions, I leave 'em in the dark, bitch
Then I walk through the automatic doors
A couple fans spot me but, shit, I ain't on tour
I ain't trying to ignore her
But I head to aisle four 'cause my drawers stank as fuck
And I need some new drawers
Then I spot some more fans, stan hella hardcore (Can I have a picture?)
Asking for a pic and I say sure
Scratch my dick and shake his hand
Shaking uncontrollably, he tells me I'm the man
Now I'm headed to aisle three for some Bounty paper towels
I also grab some wet wipes to clean the shit from my bowels
A really hot girl walks by with a fat ass
But I'm just wondering if Hefty really holds the most trash
Forgot my card at home, thank God I brought some cash
Then I grab some Preparation H for the critics up my ass
Head to aisle five for some Sgt. Smash cereal
Is this want you wanted, everyday life material?
I'm not a kid anymore and be sure shit's boring
Made it out the basement, now my bank account soaring
Most exciting part of my life is probably touring
Don't get me wrong, I love fans in every single city
But hotels suck and the internet is shitty
I mean, why rap about everyday shit
When I could murder punch lines and sound dope like this?
[Chorus]
Chillin' with the homies at the crib
Bumpin' Pac Div, this the life I live, you ain't know about it
Hit the studio with No I.D.
Make a couple platinum records in that bitch and then I dip up out it
On the 101, my wife text me
Talkin' 'bout, "You gotta get home, feed your son," girl, don't trip about it
Walk up in with apple sauce and broccoli
Little Bobby better eat your greens, boy, don't give me lip about it
[Instrumental]
Hello, no one is available to take your call
Please leave a message after the tone
Bro, call me back
We couldn't get the fuckin' Super **** sample cleared again, so fuckin' annoying, bro
But honestly, I just say that we chop up the Toro y Moi joint
That we were gonna put on Ultra 85
And just like flip, fuckin' freak the shit outta that joint
I think it could be crazy
Call me back, I'ma chop it up on the MPC
Here I go
Written by: Arjun Ivatury, Kyle Metcalfe, Sir Robert Bryson Hall II


