Future
8,289
Electronic
Futureは、アルバム『{albumName}』の一部として2013年6月10日にSeamless RecordingsによりリリースされましたHotel Es Vive Ibiza Sessions, Volume One
メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM190
クレジット
PERFORMING ARTISTS
T_Mo
Programming
COMPOSITION & LYRICS
Timo Garcia
Composer
PRODUCTION & ENGINEERING
T_Mo
Producer
Timo Garcia
Producer
歌詞
I think, in a way, rock concerts have
Always, um, uh, served a function
It gives a lot of, uh, people, uh, with the same, uh, station in
Life a chance to gather together and kind of, uh, assemble and
Uh, just feel, uh, the sheer mass of them that exists, the numbers
On the other hand, you can take that, the ten thousand people coming
Together, and there's a sense of, of communion, a communal thing
We're all here together and there's no reason-
A lot of energy is dissipated in, uh, in the concert
There's no reason that that same communal kind of
Thing can't be taken out into the outside world
And ideally, hopefully, that's what a rock, a good rock concert can do
People are together inside, and they get outside into the
Parking lot and start driving home and get into their homes
Uh, I hope they still realize that they're together
You know, they were together in the concert and
They're together in their homes, they're together
In their schools, they're together on the street
And if the people can work that togetherness, keep
That thing going and working it, working it
Eventually, uh, everything's gonna turn out alright
What do kids look to you for, as far
As projecting it through your sound?
It's funny, in Europe, the kids were
Much more politically oriented, you know
If we said anything politically, they'd go into a fury, you know
I mean, they'd love it, especially anything against America, you know
But, uh, if we just played, they'd dig that too
But they really dug the political side of it, you know
But, uh, in America, it's just the opposite, really
A lot of people are- at our concerts, at least, uh, they're sort of
It seems like they don't really, uh, come to hear us speak politics
What, what do they come to hear?
I mean, I know you can say-
I think they come more for the religious experience
How does that translate in terms of
Rhythm, riffs, and things like that?
Uh, you really can't, because any rhythm, any riff
Any, any, any set of lyrics is a release, you know
It's just that you're releasing yourself totally
Into whatever you happen to be playing at the moment
How about in, in lyrics?
What's, uh, the difference between a rock lyric and a poem?
Well, there's really no difference
You know, Jim's book is, uh, the same as Jim's lyrics
You know, this, uh- I can read a page and I've
Heard him sing pretty much the same things
You know, for him, I don't think it's any difference at all
This is written poetry, and what he does on stage is spoken poetry
A lot of our, um, most interesting songs develop, uh
Over a period of time playing night after night in clubs
Um, we'd start out into a fairly basic song and then
Uh, the music would settle into a kind of hypnotic, uh
River of sound, which, um, would leave me free to kind
Of make up anything that came into my head at the time
Uh, that's- I think that's- I like songs, but that's the
That's the part of the, uh, performance that I enjoy the
Most, where I have a chance just to, um, pick up vibrations
From the music and what's coming from the audience and
Uh, just kind of follow it wherever, wherever it goes
How's that different from how you write a poem?
Mm, it's very similar
Um, I think, uh, a lot of poetry is very close to music
Except, um, when you're, when you write a poem, often, um
You just, you have to be in a, in a state of mind that music
Can put you in with its hypnotic quality, uh, that leaves you
Free to, you know, just let the subconscious play itself out
I think the two basic types of music indigenous to this country are
Uh, the, uh, black music, blues, and the kind of folk music that
Was brought over from Europe, and, and I guess they call it
Country music, kind of West Virginia, Ohioans, and stuff like that
Those, those are the two main streams of root American music
There might be others, I don't know
But, uh, it looks like, um, and, like, ten years ago, what they
Called rock and roll was kind of a blending of those two forms
Uh, and I guess what's happening now is that rock is kind of
Dying out and everyone is going back to their roots again
Some are going back into country and some
Are going, uh, back into basic blues
I guess in four or five years, uh, the new, uh
Generation's music will be, um, it'll have, uh
A synthesis of those two elements and some third thing
It'll be entirely- maybe it'll be, uh, it might rely
Uh, heavily on, uh, uh, electronics, uh, tapes
I can kind of envision maybe, uh, one person with, uh
Uh, a lot of machines, tapes, and electronics set up
Uh, uh, singing or speaking and, and using machines
Written by: Timo Garcia

