メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM96
クレジット
PERFORMING ARTISTS
Tash
Performer
COMPOSITION & LYRICS
Rico Smith
Lyrics
Fred Nassar
Composer
PRODUCTION & ENGINEERING
Fred Wreck
Producer
Rico Smith
Executive Producer
Malik Levy
Executive Producer
Shane Mooney
Executive Producer
Eric Brooks
Executive Producer
E-Swift
Mixing Engineer
Daniel Romero
Mixing Engineer
Skip Saylor
Mixing Engineer
歌詞
Ya know we peepin' y'all
Slow motion style
Pacific Ocean style (Wh-what?)
I'm in a rowdy-ass club, there's hella bitches all around me
This girl walks up, she says she's glad that she found me
I told her she was trippin', 'cause the girl ain't even know me
Then she told me she want to introduce me to her homies
I said "Well, baby girl, go get your Kemosabe's –
I'll get my Likwit ****, we'll meet you in the lobby"
She walked wit' a smile I ain't seened in a while
So we mobbed through the crowd – Killer-Cal-style
Walkin' wit' a limp, 'cause see, we pimp to perfection
For us to catch a date, don't take the 'Love Connection'
Fuck Chuck Woolery
You want a date for surely, all it take is fine jewelry
A wink and a drink and what the fuck you think?
I mack a baby doll down, she in a long black mink
We straight standin' in the lobby, straight face-to-face
Then she said "Cut to the chase, let's bounce to my place"
'Cause ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Still close to gettin' toasted, by the B-A-R
About to bounce wit' these bitches, 'cause they don't live far
**** all up in my grill, lookin' hella bizarre
I poured my drink on the ground for my dead homey Par (Rest in peace)
Grabbed my car keys, my doctah funktion
Burnt a little rubber, made my outroduction
Pumpkin and her friends pushed the two-door Benz
I pushed the E420, so we looked like twins
Swervin' through the night, everything is right
Swift rolled a blunt, but he can't find a light
Just when we 'bout to blaze it up and get high
I peeped the one-time out the corner of my eye
'Cause one-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
One-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
I rolled past the cops, I'm on my cell phone, blown
Doin' 60 miles-a-hour in a 35 zone
Just when I thought it was about to be on
The girl pulled into the gate of a million-dollar home
Fly landscape and cavi' decorations
The living room was bigger than the Club United Nations
Place was to the point I kicked my shoes off the secko
30 percenters – when I talked it made a echo
Rolled up the fat Perfecto
They wanna skinny dip, but I ain't wanna get wet though
So... "Let's go," that's what she told Tash
She led me to her room, lookin' like Stacey Dash
Baby got it pumpin', can't help but to feel it
Then she told me that she married to a killer drug dealer (Say what?)
Should I – A: stay, or B: bounce immediately?
'Cause haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Can't do it
Ya can't do it
Ya can't walk before ya crawl
That's right, y'all
Slow motion style
Killer Cali on the mic
Catastrophe fuckin' it up all the way from the Bermuda Triangle (That's right)
Hottest shit on the streets
1998, '99, 2000
Raise yo' glass
Raise yo' glass to Tash
Raise yo' glass
And make a toast to Tash
Now
Straigt up
Not tonight
Not tonight
We got Tash on the mic
Not tonight
Written by: Fred Nassar, Rico Smith

