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Be Safeは20 秒あたりで先週最も頻繁に発見された曲です
Be Safeは、アルバム『{albumName}』の一部として2007年5月21日にWarner RecordsによりリリースされましたMen's Needs, Women's Needs, Whatever
BPM86
メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
歌詞
[Verse 1]
One of those awful fucking black days
Where nothing is pleasing, and everything that happens
Is an excuse for anger
An outlet for emotions stockpiled
An arsenal, an armor
These are the days when I hate the world
Hate the rich, hate the happy, hate the complacent
The TV watchers, beer drinkers, the satisfied ones
Because I know I can be all of those little, hateful things
And then I hate myself for realizing that
There's no preventative, directive, or safe approach for living
We each know our own fate (Be safe, be safe, be safe, be safe)
We know from our youth how to be treated (Be safe)
How we'll be received, how we shall end
These things don't change
You can change your clothes, change your hairstyle
Your friends, cities, continents (Be safe, be safe, be safe, be safe)
But sooner or later, your old self will always catch up (Be safe)
Always, it waits in the wings
[Verse 2]
(Ideas swirl, but don't stick)
(They appear, and then run off)
(Like the rain on the windshield)
[Verse 3]
One of those rainy day car rides, my head imploding
(Be safe, be safe, be safe, be safe)
The atmosphere in this car, a mirror of my skull (Be safe)
Wet, damp, windows dripping and misted with cold
Walls of gray (Be safe, be safe, be safe, be safe)
Nothing good on the radio, not a thought in my head
(Be safe)
[Verse 4]
I know a place we can go
Where you'll fall in love so hard that
You'll wish you were dead
[Verse 5]
(Let's take life and slow it down incredibly slow)
I know a place we can go
(Frame by frame)
Where you'll fall in love so hard that
(The two minutes that take ten years to live out)
(Yeah, let's do that)
You'll wish you were dead
[Verse 6]
Telephone poles like praying mantis against the sky
Metal arms outstretched
So much land traveled, so little sense made of it
It doesn't mean a thing, all this land all laying out behind us
(Be safe, be safe, be safe, be safe)
I'd like to take off into these woods and get good and lost for a while
(Be safe)
I'm disgusted with petty concerns
Parking tickets, breakfast specials
Does someone just have to carry this weight?
(Be safe, be safe, be safe, be safe)
(Be safe)
[Verse 7]
Abstract topography
Methane covenant
Linear gospel
Asheville saleslady (Be safe, be safe, be safe, be safe)
Stygian emissary
Torturous lice (Be safe), Mad Elizabeth
[Verse 8]
Be safe, be safe, be safe, be safe
(Chemotherapy bullshit)
Be safe
[Verse 9]
I know a place we can go
Where you'll fall in love so hard that
(The light within me shines like a diamond mine)
(Like an unarmed walrus)
You'll wish you were dead
(Like a dead man facedown on a highway)
[Verse 10]
(Like a snake eating its own tail)
I know a place we can go (A steam turbine, frog pond)
Where you'll fall in love so hard that
(Too-full closet bursts open in disarray, soap bubbles in the sun)
You'll wish you were dead (Hospital deathbed, red convertible)
[Verse 11]
(Shopping list, blowjob) I know a place we can go
(Death's head, devils dancing, bleached white buildings)
Where you'll fall in love so hard that
(Memory, movements, the movie unpeeling, unreeling)
(About to begin) You'll wish you were dead
[Verse 12]
I know a place we can go
Where you'll fall in love so hard that
(I've seen your hallway, you're a dark hallway)
You'll wish you were dead
(I hear your stairs creak)
[Verse 13]
I can fix my mind on your "yes" and your "no"
I'll film your face today in the sparkling canals
All red, yellow, blue, green brilliance
And silvered Dutch reflection
Racing thoughts, racing thoughts, all too real
You're moving so fast now, I can't hold your image
This image I have of your face by the window
Me standing beside you, arm on your shoulder
A catalogue of images, flashing glimpses, then gone again
I'm tethered to this post you've sunk in me
And every clear afternoon now, I'll think of you
Up in the air, twisting your heel, your knees up around me
My face in your hair, you scream so well
Your smile so loud it still rings in my ears
[Verse 14]
I know a place we can go
Where you'll fall in love so hard that
You'll wish you were dead
[Verse 15]
(Inefficient, distant tide of longing)
I know a place we can go
(Clean my teeth)
Where you'll fall in love so hard that (Stay the course, hold the wheel)
You'll wish you were dead (Steer on to freedom)
[Verse 16]
(Open all the boxes)
I know a place we can go (Open all the boxes)
Where you'll fall in love so hard that (Open all the boxes)
(Open all the boxes)
You'll wish you were dead
[Verse 17]
I know a place we can go
(Times Square, midday, newspaper buildings)
(News headlines going around)
Where you'll fall in love so hard that
(We watch as they go and hope for some good ones)
(Those tree shadows in the park here)
(All whispering, schicksing leaves)
You'll wish you were dead
(Around 6 p.m., shadows across the cobblestones)
[Verse 18]
Girl in front of bathroom mirror
She, slow and careful, paints her face green, mask-like
Like Matisse, "Portrait with Green Stripe"
Long shot through apartment window
A monologue on top, but no girl in shot
[Verse 19]
The light within me shines like a diamond mine
Like an unarmed walrus
Like a dead man facedown on the highway
Like a snake eating its own tail
A steam turbine, frog pond
Too-full closet bursts open in disarray, soap bubbles in the sun
Hospital deathbed, red convertible, shopping list, blowjob
Death's head, devils dancing, bleached white buildings
Memory, movements, the movie unreeling
About to begin
Written by: Gary Jarman, Lee Ranaldo, Ross Jarman, Ryan Jarman


