White Privilege
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ツアー中
Hip-Hop/Rap
White Privilegeは、アルバム『{albumName}』の一部として2005年1月1日にMacklemoreによりリリースされましたThe Language of My World
メロディック度
楽曲がどれだけ明確で覚えやすいメロディを持ち、はっきりとした音楽パターンに沿っているかを示します。メロディック度が高い楽曲は、わかりやすく印象に残る楽器やボーカルラインが特徴です。
アコースティック度
楽曲が、電子楽器やデジタル合成音の代わりに、どの程度アコースティック楽器(ピアノ、ギター、バイオリン、ドラム、サックスなど)に依存しているかを示します。
ヴァランス
楽曲のハーモニーやリズムによって伝わる音楽的なポジティブ度や感情的トーンを示します。値が高いほど幸福感、興奮、陶酔などの感情を表し、低いほど悲しみ、怒り、憂鬱などの感情を表します。
ダンサビリティ
テンポの安定性、リズムパターン、ビートの強調などの要素を組み合わせて、楽曲が踊りやすいかどうかを示します。ダンス向きの楽曲は、一定のテンポ、反復的な音楽構造、強いダウンビートを持つ傾向があります。
エネルギー
楽曲の知覚される強さを示し、テンポ、音量の変化、音の密度などによって影響されます。エネルギーが高い曲は、力強いリズムや密度の高い編成を特徴とし、エネルギーが低い曲は、音の間隔が広く、テンポもゆったりとした構成になる傾向があります。
BPM84
クレジット
PERFORMING ARTISTS
Macklemore
Performer
COMPOSITION & LYRICS
Jamila Woods
Songwriter
Ryan Lewis
Songwriter
Ben Haggerty
Songwriter
Ahamefule J. Oluo
Songwriter
D'vonne Lewis
Songwriter
D. Asplund
Songwriter
Evan Flory-Barnes
Songwriter
Glen Lane Reynolds
Songwriter
Joshua Guralnick Karp
Songwriter
Joshua Robert Rawlings
Songwriter
Larry Griffin Jr.
Songwriter
Tyler W. Andrews
Songwriter
Hollis Wong-Wear
Songwriter
歌詞
[Verse 1]
Now nod your head and wake up
[Verse 2]
I see so many people lost who really try to pretend
But am I just another white boy who's caught on to the trend?
When I take a step to the mic is hip-hop closer to the end?
'Cause when I go to shows, the majority have white skin
They marketed the windmill, the air flair and head spin
And white rappers' albums really get the most spins
The face of hip-hop, it's changed a lot since Eminem
And if he's takin' away black artists' profits, I look just like him
[Verse 3]
Claimed a culture that wasn't mine, the way of the American
Hip-hop is gentrified and where will all the people live?
It's like the Central District, Beacon Hill to the south end
Bein' pushed farther away because of what white people did
Now where's my place in a music that's been taken by my race
Cultural appropriated by the white face?
And we don't want to admit that this is existence
So scared to acknowledge the benefits of our white privilege
[Verse 4]
'Cause it's human nature to be wanna be part of something different
Especially when your ancestors are European Christians
And most whites don't wanna acknowledge this is occurrin'
'Cause we got the best deal, the music without the burden
Of bein' black in a system that really wants you to rock
'Cause all you need is a program and you can go and make hip-hop
And we hate the mainstream 'cause we're the ones that took it
Now we listen to Aesop Rock and wear t-shirts that say Brooklyn
[Verse 5]
But it's not about black and white, right?
I mean, good music is good music, regardless of what you look like
But when you don't give 'em props, isn't that selfish?
That's like saying rock was actually started by Elvis
So where does this leave me?
I feel like I pay dues, but I'll always be a white MC
I give everything I have when I write a rhyme
But that doesn't change the fact that this culture's not mine
[Verse 6]
But I'm gonna be me, so please be who you are
This is something that's effortless and that shouldn't be hard
I said I'm gonna be me, so please be who you are
But we still owe 'em forty acres, now we've stolen their sixteen bars
[Verse 7]
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, nope
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, I'm not keepin' it true
[Verse 8]
Now I don't rap about guns, so they label me cautious
But I don't rap about guns 'cause I wasn't forced into the projects
See, I was put in the position where I could choose my options
Blessed with the privilege that my parents could send me to college
Now, who's goin' to shows, the kids on the block starvin'
Or the white people with dough that can relate to my content?
Marketed the music, now adapted to the lifestyle
What happened to jazz and rock and roll is happening right now
[Verse 9]
Where's my place in the music that's been taken by the media
With white corporations controllin' what they're feedin' ya?
I brought up Aesop Rock, but I'm not even dissin' dude
We love hip-hop, and what do you think that caucasians are listenin' to?
And I speak freely when I write this
If a black MC examined race, there goes half their fan base
White kids, and this is so true
And we didn't even have to fight this system
We just went and picked up the microphone too
[Verse 10]
And we got good at it, so we should be rappin'
But only supporting them is like burning Jimmy and buying Clapton
Now, Clapton's incredible, but no Jimmy, no foundation
So here comes history and the cultural appropriation
White kids with do-rags tryna practice their accents
From the suburbs to the upperclass, masterin' a language
But hip-hop's not just memorizing words
It's rooted in authenticity, something you literally can't learn
[Verse 11]
But I'm gonna be me, so please be who you are
It's something that's effortless and it shouldn't be hard
I said I'm gonna be me, so please be who you are
But as I'm blessed with the privilege, they're still left with the scars
Come on
[Verse 12]
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, nope
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, I'm not keepin' it true
Written by: Ahamefule J. Oluo, Ben Haggerty, D'vonne Lewis, D. Asplund, Evan Flory-Barnes, Glen Lane Reynolds, Jamil Abidemi Woods, Joshua Guralnick Karp, Joshua Robert Rawlings, Larry Griffin Jr., Ryan Lewis, Tyler W. Andrews

