Move
66,446
Hip-Hop/Rap
Move은(는) {albumName} 앨범에 수록된 곡으로 2008년 1월 1일일에 Mr. Incognito Productions에서 발매되었습니다.The Renaissance
멜로디에 강한 음악
잘 정의된 음악 패턴에 따른 명확하고 기억에 남는 멜로디를 갖춘 곡입니다. 이 척도가 높은 곡은 일반적으로 연주나 보컬 라인이 명확하고 기억에 남는 것이 특징입니다.
어쿠스틱 악기 중심
곡이 전자 음악이나 디지털 합성 음악이 아닌 어쿠스틱 악기(예: 피아노, 기타, 바이올린, 드럼, 색소폰)를 얼마나 많이 사용하는지를 나타내는 척도입니다.
발랑스
곡의 화성과 리듬 요소를 통해 전달되는 음악적 긍정성 또는 감정적 톤입니다. 높은 쾌감은 행복, 흥분, 희열의 감정에 해당하며, 낮은 쾌감은 슬픔, 분노, 우울과 연관됩니다.
춤추기 좋은 음악
템포의 안정성, 리듬 패턴, 비트 강조 등 여러 요인의 조합을 통해 곡이 춤추기에 얼마나 적합한지 정하는 척도입니다. '춤추기 좋은' 곡의 특징은 일정한 템포, 반복적인 음악 구조, 강한 다운비트입니다.
에너지
트랙의 강렬함은 템포, 역동성, 음악적 밀도에 영향을 받을 수 있습니다. 에너지가 높은 곡은 강렬한 리듬과 풍부한 악기 편곡으로 구성되는 반면, 에너지가 낮은 곡은 음악적으로 간결하고 느린 템포가 특징일 수 있습니다.
BPM96
뮤직 비디오
뮤직 비디오
크레딧
실연 아티스트
Q-Tip
실연자
작곡 및 작사
Kamaal Fareed
작곡가
H. Davis
작곡가
W. Parks
작곡가
D. Fletcher
작곡가
프로덕션 및 엔지니어링
J Dilla
프로듀서
Kamaal Fareed
녹음 엔지니어
Blair Wells
믹싱 엔지니어
가사
[Verse 1]
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
[Verse 2]
I'm just a brotherman, descendant of the motherland
I fuck with blackberries and dimes and butter tens
Good on my right and trouble on my other hand
Life is a tight rope, I'm dyin' the balance in
And by the end hopefully I be the balance-man
A simple dude who can exude the talents and
I am the captain of the hot blooded caravan
Spreading a different look through charred and battered lands
It's outta function I see girls that can top it off
I hold mines while these cowboys pop it off
You just a movie-dude claimin' that you pop soft
This shit's like cold grits without the hot sauce
This government seems to me like it's off course
[Verse 3]
Come on, come on, let's move!
And get down (Like it's off course)
Come on, come on, let's move!
(This government) And get down
Come on, come on, let's move!
And get down (Ride with me, come on)
Come on, come on, let's move!
And get down
[Verse 4]
Your dubious style may rock for right now
But in the long run, you really lost one
Jamaica, Queens, man, land of the tossed gun
It's never easy, police not sees we
Go through the checkpoints, birds flip to po nine
I got a bad bird nicknamed her sunshine
I treats her so kind, sweetening her at nighttime
Into the right tunes we hit the right rhymes
I dig her fashion, smash into my memory
And in the club shorty stays real into me
A humble dude and never will pretend to be
The type of artist that's desired for the industry
Came in this fucka me and I'm a leave me
And in the end, B, you would believe me that I'm a leave me
So what's a industry if the listeners will always stand beside me?
[Verse 5]
Come on, come on, let's move!
And get down
Come on, come on, let's move!
And get down
Come on, come on, let's move!
And get down
Come on, come on, let's move!
And get down
[Verse 6]
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
Here we come yo, here we come
[Verse 7]
Gather around, the Renaissance man has finally appeared
And I'm astonishing rap characters and causin' them tears
Quasimodo and the quotables excrete from my mouth
And no doubt, we rubbed you wrong and rubbing you out
To try to tackle such a problem is a foolish goal
And when the opposition's Abstract, bless your soul
There are degrees of emcees but none on the level
Other you're the vocalist, precious like metal
Making all my rounds through the towns like physician
I be curing impure emcees, plagued with disease
So take a spoonful of Poet Penicillin and
Sit back and listen to your man as I fill it in the Renaissance
[Verse 8]
Rap, rap, Renaissance
This is the Renaissance
This is the Renaissance
[Verse 9]
So here we go now
It is the Midnight Marauder on the scene
Geographically earthed in a place called Queens
I was formed with my principles, way I displayed
How I used to emcee where all the other kids played
'Cause I was way too ill, so I would hone my skill
And go out in the park and let my chemicals spill
Right there, on Farmer's Boulevard, I made my mark
Two dudes, **** would dip from us, me and the NARCS
And then my legend would grow on the A-train line
Where brothers would gather to see me blowing nicks and dimes
It was me, Big, Pete, Tanya and Sir Ibu
And the heat of the cipher, I was not libel
From all the casualties of the dutty emcees
I split the train car like Moses did the Red Sea
So get it in ya head, we gon' rock the dead
Night of the living emcees, the weak ones fled
And the stage is the pulpit, Renaissance won't quit
We gon' baptize y'all for your benefit
We been aligned and assigned to change
Rearrange all your molecules like Dr. Strange
Making cultures move, if you disapprove
You can keep loud-mouthin', it won't bust a groove
You see the object of the game is we don't see it as one
We don't quit, bullshit, and we never lost, son
Deeper than the oceans and expand like air
We be vast indeed and if you're hearing's impaired
We got the perfect remedy for your tonight
Just put your ear to it, it's like dynamite
And it's the Renaissance rap
[Verse 10]
It's the Renaissance
It is the Renaissance
Uh, 'cause it's the Renaissance
It's the Renaissance rap
It's the Renaissance rap
[Verse 11]
Now looking at your clock, you know that it's time
To hear real ill beats combinated with rhymes
Brought to you by the person at the T-O-P
That be G-O-D, and I be T-I-P
The promoter of the flyness, witness with iris
Of this lame and he came, but I'm the royal highness
Don't 'cha ever forget, who put that pep in ya step
We made it cool to wear medallions and say hotep
And this beat it somethin' that you can't recover up from
You better all join in the force because we can't be done
Listen, we on this mission and it's a go
So welcome to the Renaissance in stereo
It's the Renaissance
Written by: D. Fletcher, H. Davis, Kamaal Fareed, W. Parks

