album cover
Seduction's Theme
179
Electronic
Seduction's Theme은(는) 앨범에 수록된 곡으로 1989년 1월 1일일에 A&M에서 발매되었습니다.Nothing Matters Without Love
album cover
발매일1989년 1월 1일
라벨A&M
멜로디에 강한 음악
어쿠스틱 악기 중심
발랑스
춤추기 좋은 음악
에너지
BPM121

뮤직 비디오

뮤직 비디오

크레딧

실연 아티스트
Seduction
Seduction
실연자
작곡 및 작사
David Byron Cole
David Byron Cole
작곡가
Robert Clivillés
Robert Clivillés
작곡가
프로덕션 및 엔지니어링
David Byron Cole
David Byron Cole
프로듀서
Robert Clivillés
Robert Clivillés
프로듀서

가사

Surrender
Why don't you
Surrender
Surrender
Surrender
Why don't you surrender
Seduction
The act or process of being enticed into sex
Or lured into wrongdoing
To be seduced
To be willfully tempted into a state of desire
Surrender to seduction
Everyone experiences seduction at least once in their life
It may be a touch, a look
Or a narcissistic projection of one's own imagination
More vivid than reality
Seduction
Dangerous in the hands of some
A mountain of spices in the arms of the desired
Surrender to seduction
Why don't you
Oh, why don't you
Why don't you surrender
Surrender
Seduction
The act or process of being enticed into sex
Or lured into wrongdoing
To be seduced
To be willfully tempted into a state of desire
Everyone experiences seduction at least once in their life
It may be a look, a touch
Or a narcissistic projection of one's own imagination
More vivid than reality
Seduction
Why don't you surrender
Seduction
Seduction
Dangerous in the hands of some
Seduction
A mountain of spices in the hands of the desired
To seduction
Why don't you, why don't you surrender
To seduction
To seduction
To seduction
Why don't you surrender
Surrender
Seduction
The act or process of being enticed into sex
Or lured into wrongdoing
To be seduced
To be willfully tempted into a state of desire
Everyone experiences seduction at least once in their life
It may be a touch, a look
Or a narcissistic projection of one's own imagination
More vivid than reality
Seduction
Dangerous in the hands of some
A mountain of spices in the arms of the desired
Surrender to seduction
Written by: David Byron Cole, Robert Clivillés
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