Put It On
342,171
힙합/랩
Put It On은(는) 앨범에 수록된 곡으로 1995년 3월 28일일에 Columbia에서 발매되었습니다.Lifestylez ov da Poor & Dangerous
가장 인기 있는지난 7일
00:20 - 00:25
Put It On은(는) 지난 주에 약 20 초 시점에에 가장 많이 검색된 곡입니다.
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뮤직 비디오
뮤직 비디오
크레딧
실연 아티스트
Big L
보컬
Kid Capri
보컬
작곡 및 작사
L. Coleman
작사가 겸 작곡가
A. Best
작사가 겸 작곡가
프로덕션 및 엔지니어링
John Shriver
어시스턴트 엔지니어
Chris Irish
어시스턴트 엔지니어
Dino Zervos
어시스턴트 엔지니어
Mack Robinson
어시스턴트 엔지니어
Rich July
믹싱 엔지니어
Tony Dawsey
마스터링 엔지니어
Tony Smalios
녹음 엔지니어
Buckwild
프로듀서
Chris Conway
엔지니어
가사
[Intro]
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
[Verse 1]
Aye, yo, you better flee hops
Or get your head flown three blocks
L keep rappers' hearts pumpin' like Reeboks
And every day, I gain clout, and my name sprouts
Some brothers'd still be virgins if crack never came out
I got the wild style, always been a foul child
My guns go boom boom, and your guns go pow pow
I'm know to have a hottie open
I keep the shotty smokin'
Front and get half the bones in your body broken
And when it comes to gettin' nookie, I'm not a rookie
I got girls that make that chick Toni Braxton look like Whoopi
I run with sturdy cliques, I'm never hittin' dirty chicks
Got thirty-five bodies, buddy, don't make it thirty-six
Step to this, you're good as gone, word is bond
I leave mics torn when I put it on
[Chorus]
So put it on Big L, put it on
Come on, put it on, and on, and on
Come on, put it on Big L, put it on
Come on, put it on, represent, put it on, come on
[Verse 2]
Nobody can take nothin' from Big L but a loss, chief
The last punk who fronted got a mouth full of false teeth
I'm known to gas a hottie and blast a shotty
Got more cash than Gotti
You don't know, you better ask somebody
Big L is a crazy brother, and I'm a lady lover
A smooth kid that'll run up in your baby mother
I push a slick Benz, I'm known to hit skins
And get ends and commit sins with sick friends
'Cause I'm a money getter, also a honey hitter
You think you nice as me? Haha, you's a funny ****
I flows, so one of my shows wouldn't be clever to miss
I'm leavin' competitors pissed
To tell you the truth, it gets no better than this
I'm catchin' wreck to the break of dawn
In this song, yo, it's a must that I put it on
[Chorus]
Yeah, so put it on, Big L, put it on
Come on, put it on, big fella, put it on and on
Put it on, Big L, put it on, represent
Put it on, come on, put it on
[Bridge]
Some boys see me gun nozzle and take a we fi joke
Boy, you gwan dead before you see me gun smoke
See me, gun nozzle, and take me fi joke
You gwan dead from a me you provoke
[Verse 3]
I drink Moët, not Beck's beer
I stay dressed in slick gear
Peace to my homies in the gangsta lean
I see you when I get there
And it's a fact, I keep a gat in my arm reach
I charm freaks and bomb geeks from here to Palm Beach
I'm puttin' rappers in the wheelchair
Big L is the villain you still fear
'Cause I be hangin' in Harlem and shit is for real here
If you battle L, you picked the wrong head
I smash mics like cornbread
You can't kill me, I was born dead
And I'm known to pull steel trigs and kill pigs
I run with ill kids and real nigs who peel wigs
My rap's steady slammin', I keep a heavy cannon
It's a new sheriff in town and it ain't Reggie Hammond
Peace to my people's, the Children of the Corn
'Cause we put it on, adios, ghost, I'm gone
[Chorus]
So put it on Big L, put it on
Come on, put it on, big brother, put it on and on
Big L, you got to put it on and on
Put it on, Big L, put it on, and on
Word up, know what I'm sayin'
My man, Big L, runnin' things for the nine four
And nine-oh-S, you know what I mean?
It's the Kid Capri, in full flair
And we gon' put it on a little somethin' like this
Big L, come on
[Refrain]
Lord Finesse (He be puttin' it on)
My man, Buckwild (He be puttin' it on and on)
My man Fat Joe (He be puttin' it on)
Showbiz and AG (Yeah, they be puttin' it on and on)
I can't forget Diamond D (They be puttin' it on)
The whole D.I.T.C. (Yeah, they be puttin' it on and on)
And of course, Kid Capri (Yeah, I be puttin' it on)
The whole NYC, and I'm out (Yeah, we be puttin' it on and on)
Written by: A. Best, L. Coleman
