멜로디에 강한 음악
잘 정의된 음악 패턴에 따른 명확하고 기억에 남는 멜로디를 갖춘 곡입니다. 이 척도가 높은 곡은 일반적으로 연주나 보컬 라인이 명확하고 기억에 남는 것이 특징입니다.
어쿠스틱 악기 중심
곡이 전자 음악이나 디지털 합성 음악이 아닌 어쿠스틱 악기(예: 피아노, 기타, 바이올린, 드럼, 색소폰)를 얼마나 많이 사용하는지를 나타내는 척도입니다.
발랑스
곡의 화성과 리듬 요소를 통해 전달되는 음악적 긍정성 또는 감정적 톤입니다. 높은 쾌감은 행복, 흥분, 희열의 감정에 해당하며, 낮은 쾌감은 슬픔, 분노, 우울과 연관됩니다.
춤추기 좋은 음악
템포의 안정성, 리듬 패턴, 비트 강조 등 여러 요인의 조합을 통해 곡이 춤추기에 얼마나 적합한지 정하는 척도입니다. '춤추기 좋은' 곡의 특징은 일정한 템포, 반복적인 음악 구조, 강한 다운비트입니다.
에너지
트랙의 강렬함은 템포, 역동성, 음악적 밀도에 영향을 받을 수 있습니다. 에너지가 높은 곡은 강렬한 리듬과 풍부한 악기 편곡으로 구성되는 반면, 에너지가 낮은 곡은 음악적으로 간결하고 느린 템포가 특징일 수 있습니다.
BPM75
크레딧
실연 아티스트
Dobey Dobe
실연자
작곡 및 작사
Dobey Dobe
작사가 겸 작곡가
프로덕션 및 엔지니어링
Dobey Dobe
믹싱 엔지니어, 마스터링 엔지니어, 녹음 엔지니어, 프로듀서
가사
I'mma need look
Yeah look look I'mma need
Yeah ay look ay yeah yeah I'mma need
Look yeah ay look yeah ay look yeah
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
Yeah ay yeah ay yeah
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
I made my own damn instrumental just so I could show em BAD
So fresh so clean so proper
Home-bred don't need no sponsor
Gotta 'member them keys I taught ya
They don't really put much thinkin towards little things
Metaphors similes I gotcha
Leg work, centipede I gotcha
Kill a beat, any beat I gotcha
And that means any means I gots ta
Rep Southwest Southwest
Phoenix Arizona my place
Fake ones never show threats
Funny by ear I play
Back then highly overlooked
Prolly' top 10, top 8
Well you ain't have my face booked
So why you all up in Myspace
I ain't really tryna add that negative aspect to the things I pack
And you ain't really seen that mac, let her sit on my lap boy you better bag back
Yeah I been ahead of my class never been held back by the things I lack
And you ain't even 'head of my past you would laughed at and my **** that's facts
You focused on material things, I could give a damn
Everything that you ever could give keep it realer than
You only after the diamonds you a little man
Be the supplier to the demand fuck a middle man
You really wanna shine in advance and you gettin bands
Imagine my **** shot up your Benz in a minivan
Devil keep tryna tell me to chill I ain't even mad
Comin from where it's hotter than Hell I don't even tan
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
Yeah ay yeah ay yeah
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
I made my own damn instrumental just so I could show em BAD
How about the gossip? Couple homies talk but they not sayin much about it
Y'all be on some blahzay talk a hundred miles your mouth is never tucked about it
Gossip gotcha doggy style your ears perk up like y'all can't hear enough about it
But I don't give a half-baked, hairy ass, hurtin bleedin fuck about it
I don't, They do petty things I don't, They got jealousy I don't
They say D-O-B got flow, you could be the seed I grow
You just head the things I spoke, you don't know the things I know
On West I go but I gotta give a shout out to my Eastside folk
Everybody want to wonder why I gotta give em hard time
I put hella hours and you part time
Really wanna stop me get your dome rocked
Milly I just gotta make it multi
Wanna take a second but it don't stop
I give all the credit to the Most High
If I shoot a **** that'll be the wrong sign
That don't really suit a **** I'mma need a bow tie
Really though I stress it that's on everything I get it
Gas you kerosene that's you let it
Y'all just care to see the fuckin movie
Y'all don't even read the fuckin credits
I write everything I teach phonetic
I think they spellin D-O-B forget it
Cuz I don't see the need to be competitive with it but yeah **** I said it
Come get it I'm Bad
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
Yeah ay yeah ay yeah
Boy I think I'm bad to the bi-done
I'mma need a bad bih' to hit on
Couple contacts on my phi-done
Score a few racks and I'm gi-done
If you ain't on that you can get on
You ain't on that? What you been on?
Could leave and come back and I'm still on
Like I'ma be the man when I get home
You got a couple raps I'mma shit on
I made my own damn instrumental just so I could show em BAD
Written by: Dobey Dobe

